Q2 Arts and Humanities Barnboken Pub Date : 2021-12-16 DOI:10.14811/clr.v44.639
Karin Nykvist
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引用次数: 0

摘要

以生态批评理论提出的问题为线索,本文研究了瑞典阿尔玛文学奖得主巴布罗·林格伦诗歌中的一些中心主题:对所有生命和存在的非等级态度;生命和死亡的循环是人类和非人类动物以及树木和植物生存的基本条件;对尺度的探索往往旨在背离或推翻传统的人类中心主义思维方式。本文认为,虽然林德格伦的诗歌可以从许多角度来阅读和解释,但生态批评为她的诗歌作品提供了富有成效的见解,其强调人类中心主义与生态中心主义,以及规模批评的潜力。文章还认为,林格伦的诗歌作品整体上揭示了她对生命、死亡和时间的基本取向,林格伦在为不同的读者写作时没有区分主题或信息。个人对生命的体验是有限的,总是与更大的视角形成对比,在更大的视角中,生与死是永远存在和永恒的。
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”Stenarna de suttit på / står ännu kvar”
”The stones where they sat / are still there”: Ecocritical Readings of Barbro Lindgren’s Poetry Taking its cue from questions raised in ecocritical theory, this article studies some of the central themes in the poetry of Swedish ALMA laureate Barbro Lindgren: the non-hierarchical attitude towards all that lives and exists; the cycle of life and death that is a fundamental condition of existence for human and non-human animals as well as for trees and plants; and the exploration of scales that often aims to turn away from or overturn the traditional anthropocentric ways of thinking. The article argues that while Lindgren’s poetry can be read and interpreted from many perspectives, ecocriticism offers fruitful insights into her poetic work, with its stress of the anthropocentric versus the ecocentric, and the potential of scale critique. It also argues that Lindgren’s poetical oeuvre as a whole sheds light on her foundational orientation towards life, death and time, and that Lindgren does not differentiate in theme or message when writing for different audiences. The individual’s experience of life as a finite experience is always contrasted by the larger perspective, where life and death are ever-present and perpetual.
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来源期刊
Barnboken
Barnboken Arts and Humanities-Literature and Literary Theory
CiteScore
0.40
自引率
0.00%
发文量
22
审稿时长
20 weeks
期刊最新文献
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