运动中的米开朗基罗:卡罗·卢多维科·拉吉安蒂的评论电影《米开朗基罗》(1964)

IF 0.2 3区艺术学 0 ART SOURCE-NOTES IN THE HISTORY OF ART Pub Date : 2021-03-01 DOI:10.1086/714717

Joséphine Vandekerckhove

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摘要

在第二次世界大战后的几年里，意大利见证了许多创新的艺术纪录片的制作，如卢西亚诺·埃默、翁贝托·巴巴罗、罗伯托·隆吉和格劳科·佩莱格里尼。这些电影中有几部因其实验性质在世界各地的主要电影和艺术期刊上受到好评。引人注目的是，著名的艺术史学家如罗伯托·隆吉、马蒂奥·马兰戈尼、瓦莱里奥·马里亚尼和鲁道夫·帕鲁奇尼对艺术纪录片表现出极大的兴趣，并经常作为学术顾问和编剧与电影导演合作。尤其是对意大利艺术史学家Carlo Ludovico Ragghianti(1910-87)来说，电影这一媒介不仅能够

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Michelangelo in Motion: Carlo Ludovico Ragghianti’s Critofilm Michelangiolo (1964)

In the years immediately following the SecondWorld War, Italy saw the production of many innovative art documentaries by filmmakers such as Luciano Emmer, Umberto Barbaro, Roberto Longhi, and Glauco Pellegrini. Several of these films were critically acclaimed for their experimental nature in leading film and art journals all over the world. Strikingly, prominent art historians like Roberto Longhi,MatteoMarangoni, Valerio Mariani, and Rodolfo Pallucchini showed great interest in art documentaries and often collaborated with film directors as scholarly advisers and screenwriters. Especially for Italian art historian Carlo Ludovico Ragghianti (1910–87), the medium of film not only was capable of

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