探索意义的生态系统:南非图画书中手势的表现及其对态度视觉传达的贡献

IF 1.2 2区 文学 Q3 COMMUNICATION Visual Communication Pub Date : 2023-08-11 DOI:10.1177/14703572231188382
Jade Smith, Ralph Adendorff
{"title":"探索意义的生态系统:南非图画书中手势的表现及其对态度视觉传达的贡献","authors":"Jade Smith, Ralph Adendorff","doi":"10.1177/14703572231188382","DOIUrl":null,"url":null,"abstract":"As children age and learn to read words, so the pictures in storybooks decrease in frequency and readers rely less on their meaning. However, South African children are more likely to rely on pictures as a result of low verbal literacy levels, but how much meaning is construed by the pictures? In a multimodal investigation of local picture books, the authors used Painter et al.’s ( Reading Visual Narratives, 2013) visual analysis framework to code interpersonal meaning in the images of picture books produced for the Nal’ibali national reading initiative. During this research, the body language of the stories’ characters could not be coded using this framework. Gestures are important indicators of emotions and intentions (see Gesture: Visible Action as Utterance, Kendon, 2004), and the visual analysis framework proposed by Painter et al. (2013) should include resources to capture this interpersonal meaning conveyed to the young reader. In the picture books studied, gestures construe affect and intensify the feelings displayed on characters’ faces. This article gives evidence from the data where gestures intensify the affectual meaning in the image by various means. By also considering the surrounding characters and the logogenetic progression of meaning radiated across the pages of the story, the authors argue that meaning in images is multistranded and thus due attention should be given to the intramodal synergies that contribute to the emotions conveyed to the reader. A more fluid view of semiosis that incorporates pragmatic and cultural considerations must be adopted when investigating those gestures that are meaningful and those that are not. The gestures and vectors they create direct the readers’ gaze to the visually represented feelings of the character that drive the narrative. They also resonate with the meaning of these feelings so that young readers receive their maximal interpersonal impact.","PeriodicalId":51671,"journal":{"name":"Visual Communication","volume":"27 1","pages":""},"PeriodicalIF":1.2000,"publicationDate":"2023-08-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Exploring the ecosystem of meaning: representation of gesture and its contribution to the visual communication of attitude in South African picture books\",\"authors\":\"Jade Smith, Ralph Adendorff\",\"doi\":\"10.1177/14703572231188382\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"As children age and learn to read words, so the pictures in storybooks decrease in frequency and readers rely less on their meaning. However, South African children are more likely to rely on pictures as a result of low verbal literacy levels, but how much meaning is construed by the pictures? In a multimodal investigation of local picture books, the authors used Painter et al.’s ( Reading Visual Narratives, 2013) visual analysis framework to code interpersonal meaning in the images of picture books produced for the Nal’ibali national reading initiative. During this research, the body language of the stories’ characters could not be coded using this framework. Gestures are important indicators of emotions and intentions (see Gesture: Visible Action as Utterance, Kendon, 2004), and the visual analysis framework proposed by Painter et al. (2013) should include resources to capture this interpersonal meaning conveyed to the young reader. In the picture books studied, gestures construe affect and intensify the feelings displayed on characters’ faces. This article gives evidence from the data where gestures intensify the affectual meaning in the image by various means. By also considering the surrounding characters and the logogenetic progression of meaning radiated across the pages of the story, the authors argue that meaning in images is multistranded and thus due attention should be given to the intramodal synergies that contribute to the emotions conveyed to the reader. A more fluid view of semiosis that incorporates pragmatic and cultural considerations must be adopted when investigating those gestures that are meaningful and those that are not. The gestures and vectors they create direct the readers’ gaze to the visually represented feelings of the character that drive the narrative. They also resonate with the meaning of these feelings so that young readers receive their maximal interpersonal impact.\",\"PeriodicalId\":51671,\"journal\":{\"name\":\"Visual Communication\",\"volume\":\"27 1\",\"pages\":\"\"},\"PeriodicalIF\":1.2000,\"publicationDate\":\"2023-08-11\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Visual Communication\",\"FirstCategoryId\":\"98\",\"ListUrlMain\":\"https://doi.org/10.1177/14703572231188382\",\"RegionNum\":2,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q3\",\"JCRName\":\"COMMUNICATION\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Visual Communication","FirstCategoryId":"98","ListUrlMain":"https://doi.org/10.1177/14703572231188382","RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"COMMUNICATION","Score":null,"Total":0}
引用次数: 0

摘要

随着孩子年龄的增长和学会阅读单词,故事书中的图片出现的频率会降低,读者对其含义的依赖也会减少。然而,由于语言读写水平较低,南非儿童更倾向于依赖图片,但这些图片能解释多少意思呢?在对当地绘本的多模式调查中,作者使用Painter等人(Reading Visual Narratives, 2013)的视觉分析框架,对为Nal ' ibali国家阅读计划制作的绘本图像中的人际意义进行编码。在本研究中,故事人物的肢体语言无法使用该框架进行编码。手势是情感和意图的重要指标(见Gesture: Visible Action as Utterance, Kendon, 2004), Painter等人(2013)提出的视觉分析框架应该包括捕捉传递给年轻读者的这种人际意义的资源。在研究的绘本中,手势可以解释并强化人物脸上所表现出的情感。本文从数据中给出了手势通过各种方式强化图像情感意义的证据。作者还考虑了周围的人物和贯穿故事页面的意义的语因进展,认为图像中的意义是多链的,因此应适当关注有助于向读者传达情感的模态内协同作用。在研究那些有意义的手势和那些没有意义的手势时,必须采用一种结合实用主义和文化考虑的更流畅的符号学观点。他们创造的手势和载体将读者的目光引向推动叙事的人物的视觉表现情感。他们也与这些情感的含义产生共鸣,使年轻读者获得最大的人际影响。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
查看原文
分享 分享
微信好友 朋友圈 QQ好友 复制链接
本刊更多论文
Exploring the ecosystem of meaning: representation of gesture and its contribution to the visual communication of attitude in South African picture books
As children age and learn to read words, so the pictures in storybooks decrease in frequency and readers rely less on their meaning. However, South African children are more likely to rely on pictures as a result of low verbal literacy levels, but how much meaning is construed by the pictures? In a multimodal investigation of local picture books, the authors used Painter et al.’s ( Reading Visual Narratives, 2013) visual analysis framework to code interpersonal meaning in the images of picture books produced for the Nal’ibali national reading initiative. During this research, the body language of the stories’ characters could not be coded using this framework. Gestures are important indicators of emotions and intentions (see Gesture: Visible Action as Utterance, Kendon, 2004), and the visual analysis framework proposed by Painter et al. (2013) should include resources to capture this interpersonal meaning conveyed to the young reader. In the picture books studied, gestures construe affect and intensify the feelings displayed on characters’ faces. This article gives evidence from the data where gestures intensify the affectual meaning in the image by various means. By also considering the surrounding characters and the logogenetic progression of meaning radiated across the pages of the story, the authors argue that meaning in images is multistranded and thus due attention should be given to the intramodal synergies that contribute to the emotions conveyed to the reader. A more fluid view of semiosis that incorporates pragmatic and cultural considerations must be adopted when investigating those gestures that are meaningful and those that are not. The gestures and vectors they create direct the readers’ gaze to the visually represented feelings of the character that drive the narrative. They also resonate with the meaning of these feelings so that young readers receive their maximal interpersonal impact.
求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
Visual Communication
Visual Communication COMMUNICATION-
CiteScore
3.40
自引率
13.30%
发文量
45
期刊介绍: Visual Communication provides an international forum for the growing body of work in numerous interrelated disciplines. Its broad coverage includes: still and moving images; graphic design and typography; visual phenomena such as fashion, professional vision, posture and interaction; the built and landscaped environment; the role of the visual in relation to language, music, sound and action.
期刊最新文献
An observational sketch essay of an undocumented immigrant hunger strike in Brussels Landcare and Landscapes and Accidental Beauty: Failing Digital Technologies and the Gaze of Child Researchers Visual Communication is proud to announce its second Early Career Research Scholarship Corrigendum to Visual protest repertoires and protesters’ health identity: a battlefield of the anti-new normal movement The things they are a-changin': reinventing daily objects during the chilean 2019 revolt
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
0
微信
客服QQ
Book学术公众号 扫码关注我们
反馈
×
意见反馈
请填写您的意见或建议
请填写您的手机或邮箱
已复制链接
已复制链接
快去分享给好友吧!
我知道了
×
扫码分享
扫码分享
Book学术官方微信
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术
文献互助 智能选刊 最新文献 互助须知 联系我们:info@booksci.cn
Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。
Copyright © 2023 Book学术 All rights reserved.
ghs 京公网安备 11010802042870号 京ICP备2023020795号-1