“在街上”

IF 0.2 Q4 WOMENS STUDIES Meridians-Feminism Race Transnationalism Pub Date : 2023-04-01 DOI:10.1215/15366936-10220557
Natalia A. Koutsougera
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引用次数: 0

摘要

本文通过对两个嘻哈场景:说唱场景和嘻哈舞蹈场景的跨时期探索,提供了希腊嘻哈叙事马赛克的社会人类学写照。它通过对差异、杂交和亚文化资本的排列和表现,以及它们与当代希腊危机景观中的种族、阶级、性别和情感状态的颠覆性交叉,探索了当地嘻哈文化的灰色和有争议的区域,反映了全球嘻哈文化的形象、规范和矛盾。通过对说唱歌词的内容分析和对说唱和嘻哈舞蹈表演的民族志田野调查,本文解释了为什么嘻哈和街头文化今天在希腊如此流行。此外,它还强调了它们的全球动态以及它们作为年轻一代赋权和解放空间的当前和未来潜力。
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“Out in the Streets”
This article provides a socio-anthropological portrayal of the hip-hop narrational mosaics in Greece through the intertemporal exploration of two hip-hop scenes: the rap scene and the hip-hop dance scene. It explores the gray and contested zones of a local hip-hop culture—which reflect on global hip-hop imageries, norms, and antinomies–through permutations and manifestations of difference, hybridization and subcultural capital, and their subversive intersections with race, class, gender, and affective states in contemporary Greece in landscapes of crisis. Drawing on content analysis of rap lyrics and ethnographic fieldwork on rap and hip-hop dance performativities, resonating contemporary Greek society’s precarities, traumas, and ethics, this article explains why hip-hop and street cultures are so popular today in Greece. Furthermore, it highlights their global dynamics and their present and future potential as an empowering and emancipatory space for young generations.
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CiteScore
0.50
自引率
0.00%
发文量
24
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