美国文化外交的特点

Mladen Lišanin
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摘要

本文的目的是揭示美国文化外交概念产生和转变的历史和思想框架,并确定其理论构想和实际应用的特点。美国的历史经验,首先是两次世界大战之间的经历,随后是第二次世界大战和冷战,从本质上决定了美国外交体系的发展方式。关于文化在追求国家利益中的作用和意义的学术和社会辩论一直是,并且直到今天仍然是对国际体系变革和美国在其中的地位的反映。冷战两极体系中的超级大国经验,以及冷战后“单极时刻”中无可比拟的全球霸权地位,在某种程度上塑造了美国的外交实践,偶尔模糊了美国军事和文化优势的性质和程度之间的差异。这一点从本文第三部分分析的美国与塞尔维亚和前南斯拉夫的文化外交关系中可以明显看出。关键的发现是,在大国政治的背景下,外交政策的文化方面只有与军事战略方面合作才能发挥作用;因此,只有作为一般外交努力的一部分有目的地施加文化影响才能被视为文化外交。
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Features of cultural diplomacy of the United States of America
The objective of the article is to shed light on the historical and intellectual frameworks within which the concept of American cultural diplomacy has emerged and transformed, as well as to identify the features of its theoretical formulations and practical application. American historical experience, first the inter-war, and subsequently World War II and Cold War, essentially determined the ways in which the diplomatic system of the United States developed. Academic and social debates on the role and significance of culture in pursuing national interest have been, and remained until today, reflections of international system transformations and the American position therein. The superpower experience during the bipolar system of the Cold War, as well as subsequent incomparable status of the global hegemony during the post-Cold War "unipolar moment", has shaped the practice of American diplomacy in a way which occasionally blurred the difference between the natures and extents of military and cultural dominance of the US. This is evident from the case of American cultural-diplomatic relations with Serbia and former Yugoslavia, analyzed in the third section of the paper. The key finding is that, in the context of great power politics, the cultural aspect of foreign policy functions only in cooperation with the military-strategic aspect; thus, only cultural influence purposefully exerted as part of general diplomatic efforts can be considered cultural diplomacy.
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