克里斯·马克(Chris Marker)和agnes瓦尔达(agnes Varda)在Nouvelle Vague时代的散文纪录片中配音和音乐拼贴

Doc OnLine Revista Digital de Cinema Documentario Pub Date : 2018-09-28 DOI:10.20287/DOC.D24.DT04

L. Alvim

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引用次数: 4

摘要

我分析了克里斯·马克(Chris Marker)和艾格尼丝·瓦尔达(Agnes Varda)在新模糊时期的纪录片，在这个时期，配音和先前存在的音乐占主导地位，特别是来自西伯利亚的信(马克，1958)和埃尔莎·拉·罗斯(瓦尔达，1965)。在这些电影中，我研究了这些元素之间的关系以及与图像的关系。在这些电影中，配音是现代的标志，而先前存在的音乐是音乐拼贴的一部分。这两种声音元素通常与图像具有讽刺意味。

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Voz over e colagens musicais em documentários ensaísticos de Chris Marker e Agnès Varda da época da Nouvelle Vague

I analyze documentaries by Chris Marker and Agnes Varda from the Nouvelle Vague period in which there is a predominance of voice over and preexisting music, especially Letter from Siberia (Marker, 1958), and Elsa la Rose (Varda, 1965). In these films I investigate the relationship between those elements and relations with the images. In these films, the voice over is a sign of modernity and the preexisting music is part of a musical collage. Both sound elements relate often ironically to the images.

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