{"title":"不能当着孩子们的面?意大利银幕上的性分析","authors":"D. Chiaro","doi":"10.52034/lanstts.v6i.191","DOIUrl":null,"url":null,"abstract":"Despite the fact that both state owned (RAI) and privately owned (Mediaset) Ital-ian television channels habitually adopt scantily dressed women in provocative poses to fulfill a purely decorative function on daytime television, a closer look at Italian TV reveals that it is far less liberated than it seems. In fact, in stark contradiction to the apparent unrestraint of autochthonous studio productions, references to sex and sexuality in imported fictional products tend to be severely mitigated in their translated forms. Furthermore, it also appears that sexual behaviour beyond traditional male/female ‘mainstream’ sexual practices becomes in-creasingly taboo in translation, as they too are either toned down or totally eliminated. Relegated to cable and satellite channels or late-night/early morning viewing on one of the privately owned Mediaset channels, programs containing very explicit sexual content such as US produced ‘Sex and the City’ are moderated quite significantly for Italian audiences, not only in terms of the pervasive use of strong, taboo language, but also for explicit references to a variety of sexual practices.This paper will discuss the norms which govern the translation of ‘adult’ materials for Italian TV both from an examination of the linguistic content of the programs themselves and from the point of view of operators involved in the dubbing process.","PeriodicalId":43906,"journal":{"name":"Linguistica Antverpiensia New Series-Themes in Translation Studies","volume":"29 1","pages":""},"PeriodicalIF":1.7000,"publicationDate":"2021-10-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"15","resultStr":"{\"title\":\"Not in front of the children? An analysis of sex on screen in Italy\",\"authors\":\"D. Chiaro\",\"doi\":\"10.52034/lanstts.v6i.191\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Despite the fact that both state owned (RAI) and privately owned (Mediaset) Ital-ian television channels habitually adopt scantily dressed women in provocative poses to fulfill a purely decorative function on daytime television, a closer look at Italian TV reveals that it is far less liberated than it seems. In fact, in stark contradiction to the apparent unrestraint of autochthonous studio productions, references to sex and sexuality in imported fictional products tend to be severely mitigated in their translated forms. Furthermore, it also appears that sexual behaviour beyond traditional male/female ‘mainstream’ sexual practices becomes in-creasingly taboo in translation, as they too are either toned down or totally eliminated. Relegated to cable and satellite channels or late-night/early morning viewing on one of the privately owned Mediaset channels, programs containing very explicit sexual content such as US produced ‘Sex and the City’ are moderated quite significantly for Italian audiences, not only in terms of the pervasive use of strong, taboo language, but also for explicit references to a variety of sexual practices.This paper will discuss the norms which govern the translation of ‘adult’ materials for Italian TV both from an examination of the linguistic content of the programs themselves and from the point of view of operators involved in the dubbing process.\",\"PeriodicalId\":43906,\"journal\":{\"name\":\"Linguistica Antverpiensia New Series-Themes in Translation Studies\",\"volume\":\"29 1\",\"pages\":\"\"},\"PeriodicalIF\":1.7000,\"publicationDate\":\"2021-10-25\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"15\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Linguistica Antverpiensia New Series-Themes in Translation Studies\",\"FirstCategoryId\":\"98\",\"ListUrlMain\":\"https://doi.org/10.52034/lanstts.v6i.191\",\"RegionNum\":3,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LANGUAGE & LINGUISTICS\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Linguistica Antverpiensia New Series-Themes in Translation Studies","FirstCategoryId":"98","ListUrlMain":"https://doi.org/10.52034/lanstts.v6i.191","RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LANGUAGE & LINGUISTICS","Score":null,"Total":0}
引用次数: 15
摘要
尽管国有(RAI)和私营(Mediaset)意大利电视频道习惯性地在日间电视节目中采用衣着暴露、姿势撩人的女性,以满足纯粹的装饰功能,但仔细观察意大利电视就会发现,它远没有看上去那么自由。事实上,与本土电影公司的作品明显不受约束形成鲜明对比的是,进口小说作品中提到的性和性行为在翻译后往往会严重减少。此外,在翻译中,超越传统男性/女性“主流”性行为的性行为似乎越来越成为禁忌,因为它们要么被淡化,要么被完全消除。在有线电视和卫星频道,或者在私人拥有的Mediaset频道的深夜/清晨观看,包含非常露骨的性内容的节目,比如美国制作的《欲望都市》(Sex and the City),对意大利观众来说是相当温和的,不仅在普遍使用强烈的禁忌语言方面,而且在明确提及各种性行为方面。本文将从节目本身的语言内容和参与配音过程的运营商的角度来讨论管理意大利电视“成人”材料翻译的规范。
Not in front of the children? An analysis of sex on screen in Italy
Despite the fact that both state owned (RAI) and privately owned (Mediaset) Ital-ian television channels habitually adopt scantily dressed women in provocative poses to fulfill a purely decorative function on daytime television, a closer look at Italian TV reveals that it is far less liberated than it seems. In fact, in stark contradiction to the apparent unrestraint of autochthonous studio productions, references to sex and sexuality in imported fictional products tend to be severely mitigated in their translated forms. Furthermore, it also appears that sexual behaviour beyond traditional male/female ‘mainstream’ sexual practices becomes in-creasingly taboo in translation, as they too are either toned down or totally eliminated. Relegated to cable and satellite channels or late-night/early morning viewing on one of the privately owned Mediaset channels, programs containing very explicit sexual content such as US produced ‘Sex and the City’ are moderated quite significantly for Italian audiences, not only in terms of the pervasive use of strong, taboo language, but also for explicit references to a variety of sexual practices.This paper will discuss the norms which govern the translation of ‘adult’ materials for Italian TV both from an examination of the linguistic content of the programs themselves and from the point of view of operators involved in the dubbing process.