调解和PandeTheatre:

Mona Khattab, Wessam Elmeligi
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引用次数: 0

摘要

疫情对创意文化的负面影响之一是对戏剧制作中的互动表演施加了新的限制。制作人利用数字化来探索智能舞台的潜力。一部名为《Brilliant Mind》的新剧就是一个很好的例子,它创新地使用了数字替代方案,以保持互动性,制片人称之为“数字景观中的现场戏剧”。该剧于2021年在网上进行了数字演出,观众可以通过数字方式探索部分场景,并与角色互动。本文通过解析其数字互动策略,研究了该戏剧使用数字表演作为流行病时代戏剧的一种调解形式。除了运用心理剧的戏剧原理,以及情感理论的概念作为视觉传达的方法外,作者还对他们作为观众的经历进行了密切的文本和视觉分析。
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Mediation and the PandeTheatre:
One of the negative impacts of the pandemic on creative culture is new limitations imposed on interactive performance in theatrical production. Producers resorted to digitality to explore the potentials of smart staging. A new play titled Brilliant Mind is a case in point for its innovative use of digital alternatives to maintain interactive performativity in what the producers describe as “live theatre in digital landscapes”. The play was digitally performed online in 2021, and members of the audience were allowed to digitally explore parts of the set and interact with characters. This paper examines the play’s use of digital performativity as a form of mediation for pandemic-era theatre by unpacking its digital interactive strategies. The authors offer a close textual and visual analysis of their experience as audience members in addition to employing theatrical principles of psychodrama, as well as concepts of affect theory as an approach to visual communication.
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CiteScore
1.40
自引率
0.00%
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0
审稿时长
25 weeks
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