哀悼的方法

IF 0.2 Q4 WOMENS STUDIES Meridians-Feminism Race Transnationalism Pub Date : 2022-10-01 DOI:10.1215/15366936-9882130
Amanda Russhell Wallace
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引用次数: 0

摘要

哀悼中没有固定的决定性时刻。相反,它表现为基于时间和面向时间的拼贴,从档案的广泛概念中融合而来。特别是,作者的历史拼贴实践将过去和现在交织在一起,未来的希望线索依赖于她作为一个渴望打破哀悼的艺术家魔术师的表演。“光解”是作者在与逝者和濒死者之间来回奔跑的艺术实践中经常采取的出发点。在这个问题上,作者通过隐喻性的编织、燃烧、切除和保存来讨论视觉批判性制造(借用Saidiya Hartman的术语)的方法,这些方法贯穿了她主要以镜头为基础的作品。
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Mourning Methods
There is no encapsulated decisive moment in mourning. Rather, it manifests as time based and time oriented collaging amalgamated from broad notions of the archive. Particularly, the author’s practice of historical collaging interlaces the past and present with a hopeful thread of futures reliant upon her performing as an artist-magician aspiring to break the mourning. Optical undoing is the point of departure that the author’s art practice often takes while running back and forth with the dead and dying. For this issue, the author discusses what could be methods of visual critical fabulation (to borrow Saidiya Hartman’s term) via the metaphorical weaving, burning, excision, and preservation as mourning methods that span her predominantly lens-based work.
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CiteScore
0.50
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发文量
24
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