价值等级:奖牌获得者在16世纪的艺术作品

IF 0.2 3区艺术学 0 ART SOURCE-NOTES IN THE HISTORY OF ART Pub Date : 2022-01-01 DOI:10.1086/719457

Caylen Ferguson Heckel

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摘要

1550年12月，莱昂尼给皇帝查理五世的御用大臣安托万·佩雷诺·德·格兰维尔写了一封信，莱尼在信中描述了一个大型皇帝铜像的委托模型，寻求批准他的第二个愤怒人物的概念，克制地蜷缩在基座上(图1)。莱昂尼强调其构图的复杂性和情感影响，表达了格兰维尔不能看到模型的悲伤，因为如果他能，莱尼说:格兰维尔会比现在更爱他，而且会把他看成另一个人

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Hierarchies of Value: The Medallist’s Work in Sixteenth-Century Art

In December 1550, Leone Leoni wrote a letter to Antoine Perrenot de Granvelle, imperial minister of Emperor Charles V, in which Leoni describes a model for a commission of a large-scale bronze statue of the emperor, seeking approval for his concept of a second figure of Fury, restrained and cowering at the base (fig. 1). Emphasizing its compositional complexity and emotional impact, Leoni expresses sadness that Granvelle cannot see the model—for if he could, Leoni says, Granvelle would love him more than he does already and would see him as other

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