在福音中古怪的表演和不雅的神学根据Porta dos Fundos

IF 0.4 0 RELIGION Theology & Sexuality Pub Date : 2022-09-02 DOI:10.1080/13558358.2023.2225369
Alex Bádue, Jeff Jay
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引用次数: 0

摘要

2019年12月,Netflix下架了巴西喜剧团体Porta dos Fundos制作的圣诞特别节目《基督的第一次诱惑》。当耶稣和他华丽的同性恋情人奥兰多在沙漠中呆了40天后,在他30岁生日那天回到家时,戏剧就开始了。这部电影在巴西和北美上映后引发了公愤。网上请愿要求Netflix撤下这部电影,巴西的教堂提起诉讼,在圣诞节前夕,一个极端组织向Porta在里约热内卢的办公室投掷了两枚燃烧弹。我们证明,电影舞台酷儿表演,不认同来自主流文化来源的有毒比喻。Porta的解放实践创造了酷儿基督教的可能性,因为它用酷儿的未来和希望破坏了现在。因此,这部电影为不雅神学提供了一个来源,重新塑造了一个与人们如何生活和爱更深刻相关的基督论。
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Queer performance and indecent theology in the Gospel according to Porta dos Fundos
ABSTRACT In December 2019 Netflix dropped The First Temptation of Christ, a Christmas special by the Brazilian comedy group Porta dos Fundos. The drama ensues when Jesus returns home on his thirtieth birthday after forty days in the desert with his flamboyantly gay lover Orlando. Outrage greeted the film’s release in Brazil and North America. On-line petitions demanded Netflix to take down the film, churches in Brazil filed lawsuits, and on Christmas eve an extremist group threw two Molotov cocktails at Porta’s office in Rio de Janeiro. We demonstrate that the film stages queer performance that disidentifies with toxic tropes from mainstream cultural sources. Porta’s liberative praxis creates queer Christian possibilities as it disrupts the present with queer futurity and hope. The film thus provides a source for indecent theology re-figuring a Christology that correlates more profoundly with how people live and love.
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