共同进化

Lucina Caravaggi
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引用次数: 0

摘要

“共同进化”这个术语迫使我们反思一些术语的含义的转变,这些术语与我们这个时代的深刻变化有关,与设计学科非常相关。从景观项目中一些关系模型的作用开始,到项目与当代景观保持的不确定关系,本文处理不断演变的线条和节点的动态交织,正如Tim Ingold的比喻所暗示的那样。新的景观需要新的解释参考,与现代思想的三个主要和构成术语的意义变化有关:自然、地球、进化。“自然与文化”之间的巨大分离,在我们的学科领域中显示出一种令人不安的永久性,它已经被概述为一种信念,即它代表了开始新的探索和想象的严重障碍。一些关于盖亚假说的提示随之而来,“行动中的力量”的图像受到互惠原则的调节,这已经成功地击败了地球是一个水槽或容器的想法。这种观念根植于现代思想,并使人类与非人类之间的界限日益模糊。关于进化的主题,我提到需要对比达尔文起源的想象,基于自然选择(在过去的一个世纪里,没有任何伟大的生物学家的责任!),支持附带形式的变化,创造性的生存策略,摆脱了进化论的经典渐进主义,综合回顾古尔德的研究。在这篇社论的第二部分,我对这期杂志上的文章进行了一种可能的解释地理,这是一幅总体上看起来非常有趣的地图,因为它显示了什么,也隐藏了什么。它分为4个部分,分别是:花园实验室、抵抗、动态、和解。最后,我从Laura Boella和Kristina Hill的文本中强调了一些关键术语,这些术语可以用于绘制新地图,指导我们的设计探索。
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Co-evolution
The term co-evolution forces us to reflect on the transformation of the meaning of some terms, linked to the profound changes of our time and very relevant for the design disciplines.Starting from the role that some relational models have had within the landscape project up to the uncertain relationships that the project maintains with contemporary landscapes, this essay deals with dynamic interweaving of lines and nodes in continuous evolution, as suggested from Tim Ingold's metaphor.The new landscapes require new interpretative references connected to the change in meaning of three main and constitutive terms of modern thought: nature, earth, evolution.The great separation between 'nature and culture', which shows a disturbing permanence in our disciplinary field, has been outlined in the belief that it represents a serious obstacle to the start up of new explorations and imaginations.Some hints on the Gaia Hypothesis follow, images of “forces in action” regulated by principles of reciprocity that has managed to defeat the idea of ​​the planet as a sink, or a container.  An idea that is rooted in modern thought, and which has made the boundaries between humans and non-humans increasingly blurred.With respect to the themes of evolution, I mentioned the need to contrast the imaginary of Darwinian origin,-based on natural selection (harden over the last century without any responsibility of the great biologist!), in favor of collateral forms of change, creative strategies of survival that slip away the classical gradualism of evolution theories, synthetically recalling Gould's research.In the second part of this editorial, I traced a possible interpretative geography of the contributions hosted in the issue, a map that overall appears very interesting for what it shows, and for what it hides. It is divided into 4 sections called: garden laboratories, resistances, dynamisms, reconciliations.Finally, I have highlighted some key terms from the texts by Laura Boella and Kristina Hill that can be useful for drawing new maps, orienting our design explorations.
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