{"title":"Twee panelen uit de kring van Jacob Cornelisz van Oostsanen in Museum Boijmans Van Beuningen","authors":"K. Veelenturf","doi":"10.1163/18750176-90000210","DOIUrl":null,"url":null,"abstract":"Two panels from the environment of Jacob Cornelisz van Oostsanen in the Museum Boijmans Van Beuningen. In the discussion of the iconography of two panels from the environment of Jacob Cornelisz van Oostsanen in the Museum Boijmans Van Beuningen of Rotterdam new interpretations are proposed. The panels make up the shutters of a triptych with a now lost central panel with unknown subject. The previously unidentified donor on the panel with St Christopher must be Mr Dirk Willemsz van Rietwijk, a canon of the St Catherine's chapter of the private Egmont chapel in Egmond aan den Hoef. The two saints depicted as sculptures on the reverses of the shutters, formerly identified as Edward the Confessor and an anonymous canonized monk from Scotland, appear to be St Adalbert and St Jeroen (Hieron), both saints strongly connected with the North of Holland, and especially with Egmond Abbey. The original triptych must have been painted for Mr. Dirk van Rietwijk c.1516, with the purpose to place it within the Egmond aan den Hoef collegiate chapel. When in 1516 Mr. Dirk suddenly died in the Flemish town of Louvain, this triptych apparently was brought to the collegiate church of St. Peter's in Louvain to serve as an epitaph near the grave of Mr. Dirk Willemsz van Rietwijk in the chapel of St. Dorothy.","PeriodicalId":39579,"journal":{"name":"OUD HOLLAND","volume":null,"pages":null},"PeriodicalIF":0.1000,"publicationDate":"2015-08-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"OUD HOLLAND","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1163/18750176-90000210","RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ART","Score":null,"Total":0}
引用次数: 0
摘要
Boijmans van Beuningen博物馆Jacob Cornelisz van Oostsanen环境中的两块面板。在对鹿特丹Boijmans van Beuningen博物馆Jacob Cornelisz van Oostsanen环境中的两块面板的图像学讨论中,提出了新的解释。这些嵌板组成了一幅三联画的百叶窗,中间嵌板的主题未知,现已丢失。与圣克里斯托弗同在画板上的先前身份不明的捐赠者一定是德克·威廉姆兹·范·里特维克先生,他是埃格蒙德和登霍夫的埃格蒙特私人教堂圣凯瑟琳分会的一名教长。在百叶窗背面的雕塑中描绘的两位圣徒,以前被认为是忏悔者爱德华和一位来自苏格兰的匿名封圣僧侣,似乎是圣阿达伯特和圣杰伦(希伦),这两位圣徒都与荷兰北部,尤其是埃格蒙德修道院有着密切的联系。这幅三联画的原作一定是1516年左右为德克·范·里特维克(Dirk van Rietwijk)先生画的,目的是把它放在埃格蒙德·安登·霍夫(Egmond aan den Hoef)学院教堂里。1516年,德克先生在弗拉芒的鲁汶镇突然去世,这幅三联画显然被带到鲁汶的圣彼得学院教堂,作为德克·威勒姆兹·范·里特维克先生在圣多萝西教堂的坟墓旁的墓志铭。
Twee panelen uit de kring van Jacob Cornelisz van Oostsanen in Museum Boijmans Van Beuningen
Two panels from the environment of Jacob Cornelisz van Oostsanen in the Museum Boijmans Van Beuningen. In the discussion of the iconography of two panels from the environment of Jacob Cornelisz van Oostsanen in the Museum Boijmans Van Beuningen of Rotterdam new interpretations are proposed. The panels make up the shutters of a triptych with a now lost central panel with unknown subject. The previously unidentified donor on the panel with St Christopher must be Mr Dirk Willemsz van Rietwijk, a canon of the St Catherine's chapter of the private Egmont chapel in Egmond aan den Hoef. The two saints depicted as sculptures on the reverses of the shutters, formerly identified as Edward the Confessor and an anonymous canonized monk from Scotland, appear to be St Adalbert and St Jeroen (Hieron), both saints strongly connected with the North of Holland, and especially with Egmond Abbey. The original triptych must have been painted for Mr. Dirk van Rietwijk c.1516, with the purpose to place it within the Egmond aan den Hoef collegiate chapel. When in 1516 Mr. Dirk suddenly died in the Flemish town of Louvain, this triptych apparently was brought to the collegiate church of St. Peter's in Louvain to serve as an epitaph near the grave of Mr. Dirk Willemsz van Rietwijk in the chapel of St. Dorothy.
OUD HOLLANDArts and Humanities-Visual Arts and Performing Arts
CiteScore
0.30
自引率
33.30%
发文量
7
期刊介绍:
The periodical Oud Holland is the oldest surviving art-historical periodical in the world. Founded by A.D. de Vries and N. der Roever in 1883, it has appeared virtually without interruption ever since. It is entirely devoted to the visual arts in the Netherlands up to the mid-nineteenth century and has featured thousands of scholarly articles by Dutch and foreign authors, including numerous pioneering art-historical studies. Almost from the magazine’s inception, the publication of archival information concerning Dutch artists has played an important role. From 1885 to his death in 1946, the renowned art historian Dr. Abraham Bredius set a standard of excellence for Oud Holland.