{"title":"我应该在哪里唱歌?权威,空间和合唱的声音在七对抗底比斯","authors":"María del Pilar Fernández Deagustini","doi":"10.19137/circe-2023-270101","DOIUrl":null,"url":null,"abstract":": The article aims to demonstrate that the spatial syntax of the scene between Eteocles and the chorus (vv. 78-368), crossed by the lament genre, constitutes a powerful, dynamic and programmatic mechanism to involve and guide the audience in relation to the action that unfolds, in a process that depends on the power of theater as a spectacle. It is argued that, in Seven against Thebes , the character –individual or collective– who rules over the space is the one who has power. In the studied scene, the taking of the space and the license to move in it are installed as a fundamental issue.","PeriodicalId":33900,"journal":{"name":"Circe de Clasicos y Modernos","volume":"54 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"¿Dónde debo cantar? Autoridad, espacio y voz coral en Siete contra Tebas\",\"authors\":\"María del Pilar Fernández Deagustini\",\"doi\":\"10.19137/circe-2023-270101\",\"DOIUrl\":null,\"url\":null,\"abstract\":\": The article aims to demonstrate that the spatial syntax of the scene between Eteocles and the chorus (vv. 78-368), crossed by the lament genre, constitutes a powerful, dynamic and programmatic mechanism to involve and guide the audience in relation to the action that unfolds, in a process that depends on the power of theater as a spectacle. It is argued that, in Seven against Thebes , the character –individual or collective– who rules over the space is the one who has power. In the studied scene, the taking of the space and the license to move in it are installed as a fundamental issue.\",\"PeriodicalId\":33900,\"journal\":{\"name\":\"Circe de Clasicos y Modernos\",\"volume\":\"54 1\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2023-06-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Circe de Clasicos y Modernos\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.19137/circe-2023-270101\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Circe de Clasicos y Modernos","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.19137/circe-2023-270101","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
¿Dónde debo cantar? Autoridad, espacio y voz coral en Siete contra Tebas
: The article aims to demonstrate that the spatial syntax of the scene between Eteocles and the chorus (vv. 78-368), crossed by the lament genre, constitutes a powerful, dynamic and programmatic mechanism to involve and guide the audience in relation to the action that unfolds, in a process that depends on the power of theater as a spectacle. It is argued that, in Seven against Thebes , the character –individual or collective– who rules over the space is the one who has power. In the studied scene, the taking of the space and the license to move in it are installed as a fundamental issue.