{"title":"我感觉，你感觉:歌唱中的情感思考","authors":"Lynn Maxfield","doi":"10.53830/hqin2158","DOIUrl":null,"url":null,"abstract":"Abstract:Live musicians inhabit a space at the intersection of emotion and music. Singers must navigate interactions between emotions and their motivation to participate in music-music making, their own emotional responses to the music they perform, and the emotional expectations of the audiences for whom they perform. If ignored, these interactions have the potential to derail musical success, but handled correctly, they provide the opportunity for singers to develop lasting strategies for meaningful musical experiences.","PeriodicalId":88273,"journal":{"name":"Journal of singing : the official journal of the National Association of Teachers of Singing","volume":"144 1","pages":"73 - 76"},"PeriodicalIF":0.0000,"publicationDate":"2023-08-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"I Feel, You Feel: Considerations of Emotion in Singing\",\"authors\":\"Lynn Maxfield\",\"doi\":\"10.53830/hqin2158\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract:Live musicians inhabit a space at the intersection of emotion and music. Singers must navigate interactions between emotions and their motivation to participate in music-music making, their own emotional responses to the music they perform, and the emotional expectations of the audiences for whom they perform. If ignored, these interactions have the potential to derail musical success, but handled correctly, they provide the opportunity for singers to develop lasting strategies for meaningful musical experiences.\",\"PeriodicalId\":88273,\"journal\":{\"name\":\"Journal of singing : the official journal of the National Association of Teachers of Singing\",\"volume\":\"144 1\",\"pages\":\"73 - 76\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2023-08-15\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Journal of singing : the official journal of the National Association of Teachers of Singing\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.53830/hqin2158\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of singing : the official journal of the National Association of Teachers of Singing","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.53830/hqin2158","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
I Feel, You Feel: Considerations of Emotion in Singing
Abstract:Live musicians inhabit a space at the intersection of emotion and music. Singers must navigate interactions between emotions and their motivation to participate in music-music making, their own emotional responses to the music they perform, and the emotional expectations of the audiences for whom they perform. If ignored, these interactions have the potential to derail musical success, but handled correctly, they provide the opportunity for singers to develop lasting strategies for meaningful musical experiences.
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