卡罗莱娜·科罗纳多的当代解读:西班牙作家面对“浪漫之花”

IF 0.1 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Signa-Revista de la Asociacion Espanola de Semiotica Pub Date : 2020-04-08 DOI:10.5944/signa.vol29.2020.23405
Helena Establier Pérez
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引用次数: 1

摘要

摘要:本文关注西班牙浪漫主义女诗人卡罗莱纳·科罗纳多(Carolina Coronado)的批评话语中出现的第一批不匹配现象,认为这是性别视角在当代解读她的作品时应用的早期迹象。为此,我们考察了三位西班牙女作家——卡门·德·布尔戈斯、玛格丽塔·内尔肯和阿方萨·德·拉·托雷——在二十世纪上半叶献给《卡罗莱纳·科罗纳多》的文章,并试图解释她们在男性文学语境中的边缘地位以及性别标记与传统批评的差距
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LECTURAS CONTEMPORÁNEAS DE CAROLINA CORONADO CON/SIN PERSPECTIVA DE GÉNERO: LAS ESCRITORAS ESPAÑOLAS ANTE “LA FLOR ROMÁNTICA”
Abstract: This paper focuses on the first mismatches observed in the critical discourse about the Spanish romantic poetess Carolina Coronado, considering them as early signs of the application of a gender perspective in the contemporary readings of her compositions. To this end, we consider the essays dedicated to Carolina Coronado by three Spanish women authors —Carmen de Burgos, Margarita Nelken y Alfonsa de la Torre— in the first half of the twenteenth century, and we try to explain their gaps with the standing critical tradition attending to their peripheric position in a male literary context as well as to the gender marks
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Reseña de: Rosa María Belda. El sujeto en la poesía de Miguel Femández. Madrid: UNED, 2000 Reseña de: José Romera Castillo y Francisco Gutiérrez Carbajo (eds.): El cuento en la década de los noventa. Madrid: Visor Libros/UNED, 2001 Reseña de: Víctor Cantero García. Las aportaciones de los dramas de «costumbres burguesas» de Luis de Eguilaz al conocimiento de la burguesía española de la segunda mitad del XIX. Cádiz: Servicio de Publicaciones de la Universidad de Cádiz, 2000 Reseña de: Jerónimo López Mozo. Combate de ciegos. Yo, maldita india... (Dos obras de teatro). Madrid: UNED, 2000 Reseña de: José Teruel Benavente: Otro marco teórico para el medio siglo: la poesía de Miguel Fernández. Madrid: UNED, 2000
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