与跨媒体艺术的根茎相遇:一种学习与教授体验当代艺术的教学法

IF 0.6 Q3 EDUCATION & EDUCATIONAL RESEARCH Studies in Art Education Pub Date : 2022-01-02 DOI:10.1080/00393541.2021.2007726
Lilly Lu, Hung-Min Chang
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引用次数: 2

摘要

当代艺术教与学在当代艺术教育实践中作为一种有力而有效的教学法获得了认可。在本文中,我们强调当代艺术和根茎学习理论的特点,并提出一种将两者结合起来的教学模式,通过体验当代艺术进行教与学。我们也透过展示学生与台湾艺术家团队创作的跨媒体/跨媒体艺术的亲身接触,来解释如何实施这个模式。由于艺术作品提供了作为学习场所或过程场所的当下时刻,学生被声音和视觉的交集所触发,并与相关主题一起回忆起他们的记忆;然后他们重新创造个人意义和/或新知识。因此,提出的具有实施指导方针(自主性、文档化和集体根茎式学习工件的小组讨论)的教学法模型是有效的。并对在艺术教育中实施这一模式的策略和挑战进行了建议和讨论。
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Rhizomatic Encounters With Inter/Transmedia Art: A Pedagogy for Learning and Teaching Experiential Contemporary Art
Teaching and learning through contemporary art has gained validity as a powerful and effective pedagogy in contemporary art education practice. In this article, we highlight characteristics of contemporary art and rhizomatic learning theory, and then we propose a pedagogical model that combines them for teaching and learning through experiential contemporary art. We also explain how to implement this model by showing examples of students’ rhizomatic encounters with inter/transmedia art created by Taiwanese artist teams. As the artworks offered present moments as sites of learning or places in process, students were triggered by the intersection of sounds and visuals and recalled their memories along with relevant themes; they then re/created personal meanings and/or new knowledge. Thus, the proposed pedagogy model with the implementation guidelines (autonomy, documentation, and group discussion of collective rhizomatic learning artifacts) is effective. Strategies and challenges for implementing this model in art education are recommended and discussed.
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来源期刊
Studies in Art Education
Studies in Art Education EDUCATION & EDUCATIONAL RESEARCH-
CiteScore
1.30
自引率
50.00%
发文量
20
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