像他们的原话一样甜美:阿加德米德拉西姆语对圣经的接受

Tamar Kadari
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摘要

摘要本文分析了一群被称为阿摩腊米德拉西的米德拉西对《圣经》的接受情况,揭示了《圣经》在拉比世界中的中心地位。每米德拉什是围绕一个特定的圣经书及其诗歌,把一组解释了不同的拉比在以色列地的共同时代的五个世纪。这些作品是在亚摩拉纪末期或之后立即编修的,因此被称为midrashei amoraim。标题midrashei aggadah反映了他们的内容,几乎没有解释处理伊斯兰教问题。在这篇文章中,我解释了midrashei aggadah作为圣经解释模式的独特时尚,拉比们使用圣经经文的创造性方式,以及圣经统一性的概念在他们的midrashim中得到了证明。然后,我提出了圣经经文的主要作用,作为一个组织原则,在两种类型的米德拉西作曲。我以midrashei amoraim和犹太教堂世界之间的联系作为结论。这些米德拉欣是仅仅在知识精英中还是在普通大众中教导我们圣经的接受和解释?
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As Sweet as Their Original Utterance: The Reception of the Bible in Aggadic Midrashim
Abstract This article analyzes the reception of the Bible in a group of midrashim called amoraic midrash, or aggadic midrash, which reveal the centrality of Scripture in the world of the rabbis. Each midrash is organized around a particular biblical book and its verses, bringing a collection of interpretations taught by different rabbis in the land of Israel in the first five centuries of the Common Era. These compositions were redacted towards the end of the Amoraic Period and immediately after and are therefore referred to as midrashei amoraim. The title midrashei aggadah reflects their content, with almost no interpretations dealing with halakhic issues. In this article, I explain the unique fashion in which midrashei aggadah function as a mode of biblical interpretation, the creative ways biblical verses were employed by the rabbis, and the conception of the Bible’s unity evidenced in their midrashim. I then present the main role of biblical verses as an organizing principle in two genres of midrashic compositions. I conclude with the question of the link between midrashei amoraim and the world of the synagogue. Do these midrashim teach us about biblical reception and interpretation solely among the intellectual elite or also among the general public?
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