范妮·亨塞尔之歌

IF 0.4 2区 艺术学 0 MUSIC JOURNAL OF MUSICOLOGICAL RESEARCH Pub Date : 2021-01-21 DOI:10.1093/oso/9780190919566.001.0001
Angela Mace Christian
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引用次数: 1

摘要

范妮·亨塞尔可以说是19世纪最有天赋的女作曲家,她创作了450多部作品,其中包括249首歌曲,创造了她那个时代最具开创性的音乐。然而,尽管亨塞尔终于走出了她更著名的哥哥的阴影,尽管我们现在对她的生活有了更多的了解,但这位惊人的作曲家有一个方面仍未得到充分的研究:她的音乐。这本书的重点是亨塞尔对歌曲类型的贡献,她说这是“最适合她的”艺术形式,她作为作曲家的天赋尤其明显。它的十二章讨论了亨塞尔对某些诗人和诗歌主题的迷恋;她创新的和声、旋律、节奏和文本策略;她与更广泛的文学和音乐潮流的联系;她努力打破束缚她作为一个女人;以及她在19世纪Lieder历史上的地位。无论他们的研究主题是什么,作者都坚信,尊重亨塞尔作为作曲家的成就和欣赏她的历史重要性的最佳方式是在许多不同的背景下,无论是传记的,历史的,文化的还是音乐的,彻底研究她所写的东西。
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The Songs of Fanny Hensel
Fanny Hensel is arguably the most gifted female composer of the nineteenth century—a composer of over 450 works, including 249 songs, who created some of the most pathbreaking music of her era. As much as Hensel has finally moved out from behind the shadow of her more famous brother, however, and as much as we now know about her life, there is one aspect of this astonishing composer that still remains understudied: her music. This book focuses on Hensel’s contributions to the genre of song, the art form that she said “suits her best,” where her gifts as a composer are especially evident. Its twelve chapters consider such topics as Hensel’s fascination with certain poets and poetic themes; her innovative harmonic, melodic, rhythmic, and textual strategies; her connection to larger literary and musical trends; her efforts to break free the constraints placed on her as a woman; and her place in the history of nineteenth-century Lieder. No matter their particular topics of inquiry, the authors are guided by the conviction that the best way to honor Hensel’s achievements as a composer and to appreciate her historical importance is to thoroughly examine what she wrote within its many diverse contexts, be they biographical, historical, cultural, or musical.
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来源期刊
CiteScore
0.30
自引率
0.00%
发文量
17
期刊介绍: The Journal of Musicological Research publishes original articles on all aspects of the discipline of music: historical musicology, style and repertory studies, music theory, ethnomusicology, music education, organology, and interdisciplinary studies. Because contemporary music scholarship addresses critical and analytical issues from a multiplicity of viewpoints, the Journal of Musicological Research seeks to present studies from all perspectives, using the full spectrum of methodologies. This variety makes the Journal a place where scholarly approaches can coexist, in all their harmony and occasional discord, and one that is not allied with any particular school or viewpoint.
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