{"title":"交叉点,分歧和横截面:爱德华·斯图尔曼,布索尼-勋伯格联系,以及二十世纪作曲程序的扩展","authors":"Erinn Knyt","doi":"10.1080/01411896.2022.2039557","DOIUrl":null,"url":null,"abstract":"ABSTRACT Eduard Steuermann is remembered primarily as a protégé of Arnold Schoenberg, with whom he studied theory and composition from 1912 to 1914. However, he also studied with Ferruccio Busoni beginning in 1910, maintaining contact with him until at least 1922. Although Schoenberg’s influence on Steuermann is well documented, little has been written about Busoni’s impact, including the lasting effect their relationship had on Steuermann’s activities as pianist, author, composer, and teacher. After documenting the Busoni connection, my article shows that Steuermann helped pioneer a vision of contemporary music that blended ideals from both of his mentors to forge unorthodox treatments of serialism.","PeriodicalId":42616,"journal":{"name":"JOURNAL OF MUSICOLOGICAL RESEARCH","volume":null,"pages":null},"PeriodicalIF":0.4000,"publicationDate":"2022-02-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Intersections, Divergences, and Cross Sections: Eduard Steuermann, the Busoni-Schoenberg Nexus, and a Broadening of Compositional Procedures in the Twentieth Century\",\"authors\":\"Erinn Knyt\",\"doi\":\"10.1080/01411896.2022.2039557\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ABSTRACT Eduard Steuermann is remembered primarily as a protégé of Arnold Schoenberg, with whom he studied theory and composition from 1912 to 1914. However, he also studied with Ferruccio Busoni beginning in 1910, maintaining contact with him until at least 1922. Although Schoenberg’s influence on Steuermann is well documented, little has been written about Busoni’s impact, including the lasting effect their relationship had on Steuermann’s activities as pianist, author, composer, and teacher. After documenting the Busoni connection, my article shows that Steuermann helped pioneer a vision of contemporary music that blended ideals from both of his mentors to forge unorthodox treatments of serialism.\",\"PeriodicalId\":42616,\"journal\":{\"name\":\"JOURNAL OF MUSICOLOGICAL RESEARCH\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.4000,\"publicationDate\":\"2022-02-28\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"JOURNAL OF MUSICOLOGICAL RESEARCH\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/01411896.2022.2039557\",\"RegionNum\":2,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"MUSIC\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"JOURNAL OF MUSICOLOGICAL RESEARCH","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/01411896.2022.2039557","RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"MUSIC","Score":null,"Total":0}
Intersections, Divergences, and Cross Sections: Eduard Steuermann, the Busoni-Schoenberg Nexus, and a Broadening of Compositional Procedures in the Twentieth Century
ABSTRACT Eduard Steuermann is remembered primarily as a protégé of Arnold Schoenberg, with whom he studied theory and composition from 1912 to 1914. However, he also studied with Ferruccio Busoni beginning in 1910, maintaining contact with him until at least 1922. Although Schoenberg’s influence on Steuermann is well documented, little has been written about Busoni’s impact, including the lasting effect their relationship had on Steuermann’s activities as pianist, author, composer, and teacher. After documenting the Busoni connection, my article shows that Steuermann helped pioneer a vision of contemporary music that blended ideals from both of his mentors to forge unorthodox treatments of serialism.
期刊介绍:
The Journal of Musicological Research publishes original articles on all aspects of the discipline of music: historical musicology, style and repertory studies, music theory, ethnomusicology, music education, organology, and interdisciplinary studies. Because contemporary music scholarship addresses critical and analytical issues from a multiplicity of viewpoints, the Journal of Musicological Research seeks to present studies from all perspectives, using the full spectrum of methodologies. This variety makes the Journal a place where scholarly approaches can coexist, in all their harmony and occasional discord, and one that is not allied with any particular school or viewpoint.