清、民国时期手印子地书的制作:现存语料库调查

Zhenzhen Lu
{"title":"清、民国时期手印子地书的制作:现存语料库调查","authors":"Zhenzhen Lu","doi":"10.1080/01937774.2019.1601465","DOIUrl":null,"url":null,"abstract":"Zidishu was a genre of verse narrative which flourished in north China during the eighteenth and nineteenth centuries as both a form of literature and a performing art. With data gathered from the Xinbian zidishu zongmu 新編子弟書總目 (Newly compiled complete catalog of zidishu; 2012) and employing digital tools, this article surveys over three thousand extant items to examine the production of books in this genre in manuscript and print from the Qing to the Republican era. It clearly shows that handwritten production far exceeded woodblock print production of zidishu in the Qing, and draws attention to a niche market for entertainment literature dominated by scribal publishers of Beijing. The small group of dated items reveal woodblock print production of zidishu to have continued through the last two decades of the Qing, while personal manuscripts dated to the end of the Qing and the Republican era signal the continued handwritten transmission of zidishu through changing times. Following a brief discussion on lithographed zidishu from this same period, the article concludes with reflections on broader implications of the findings for the study of book culture in late imperial China.","PeriodicalId":37726,"journal":{"name":"CHINOPERL: Journal of Chinese Oral and Performing Literature","volume":"95 1","pages":"127 - 95"},"PeriodicalIF":0.0000,"publicationDate":"2018-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"2","resultStr":"{\"title\":\"The Production of Zidishu in Manuscript and Print During the Qing and Republican Eras: A Survey of the Extant Corpus\",\"authors\":\"Zhenzhen Lu\",\"doi\":\"10.1080/01937774.2019.1601465\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Zidishu was a genre of verse narrative which flourished in north China during the eighteenth and nineteenth centuries as both a form of literature and a performing art. With data gathered from the Xinbian zidishu zongmu 新編子弟書總目 (Newly compiled complete catalog of zidishu; 2012) and employing digital tools, this article surveys over three thousand extant items to examine the production of books in this genre in manuscript and print from the Qing to the Republican era. It clearly shows that handwritten production far exceeded woodblock print production of zidishu in the Qing, and draws attention to a niche market for entertainment literature dominated by scribal publishers of Beijing. The small group of dated items reveal woodblock print production of zidishu to have continued through the last two decades of the Qing, while personal manuscripts dated to the end of the Qing and the Republican era signal the continued handwritten transmission of zidishu through changing times. Following a brief discussion on lithographed zidishu from this same period, the article concludes with reflections on broader implications of the findings for the study of book culture in late imperial China.\",\"PeriodicalId\":37726,\"journal\":{\"name\":\"CHINOPERL: Journal of Chinese Oral and Performing Literature\",\"volume\":\"95 1\",\"pages\":\"127 - 95\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2018-07-03\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"2\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"CHINOPERL: Journal of Chinese Oral and Performing Literature\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/01937774.2019.1601465\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q2\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"CHINOPERL: Journal of Chinese Oral and Performing Literature","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/01937774.2019.1601465","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"Arts and Humanities","Score":null,"Total":0}
引用次数: 2

摘要

子笛书是一种诗歌叙事体裁,盛行于十八、十九世纪的中国北方,既是一种文学形式,也是一种表演艺术。资料摘自《新编子地书总目》;2012)并采用数字工具,本文调查了三千多件现存物品,以研究从清朝到民国时期这一类型书籍的手稿和印刷生产。这清楚地表明,清代手抄本的产量远远超过了子弟书的木版印刷产量,并引起了人们对北京手抄本出版商主导的娱乐文学利基市场的关注。这一小组有年代的物品表明,子弟书的木版印刷生产一直持续到清朝的最后二十年,而可追溯到清末和民国时期的个人手稿表明,子弟书的手写传播仍在不断变化。本文在对这一时期的石刻子地书作了简要的讨论之后,总结了这些发现对研究帝制晚期中国书文化的更广泛意义的思考。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
查看原文
分享 分享
微信好友 朋友圈 QQ好友 复制链接
本刊更多论文
The Production of Zidishu in Manuscript and Print During the Qing and Republican Eras: A Survey of the Extant Corpus
Zidishu was a genre of verse narrative which flourished in north China during the eighteenth and nineteenth centuries as both a form of literature and a performing art. With data gathered from the Xinbian zidishu zongmu 新編子弟書總目 (Newly compiled complete catalog of zidishu; 2012) and employing digital tools, this article surveys over three thousand extant items to examine the production of books in this genre in manuscript and print from the Qing to the Republican era. It clearly shows that handwritten production far exceeded woodblock print production of zidishu in the Qing, and draws attention to a niche market for entertainment literature dominated by scribal publishers of Beijing. The small group of dated items reveal woodblock print production of zidishu to have continued through the last two decades of the Qing, while personal manuscripts dated to the end of the Qing and the Republican era signal the continued handwritten transmission of zidishu through changing times. Following a brief discussion on lithographed zidishu from this same period, the article concludes with reflections on broader implications of the findings for the study of book culture in late imperial China.
求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
CHINOPERL: Journal of Chinese Oral and Performing Literature
CHINOPERL: Journal of Chinese Oral and Performing Literature Arts and Humanities-Literature and Literary Theory
CiteScore
0.20
自引率
0.00%
发文量
0
期刊介绍: The focus of CHINOPERL: Journal of Chinese Oral and Performing Literature is on literature connected to oral performance, broadly defined as any form of verse or prose that has elements of oral transmission, and, whether currently or in the past, performed either formally on stage or informally as a means of everyday communication. Such "literature" includes widely-accepted genres such as the novel, short story, drama, and poetry, but may also include proverbs, folksongs, and other traditional forms of linguistic expression.
期刊最新文献
Chinese Adaptations of Brecht: Appropriation and Intertextuality by Wei Zhang (review) Memories and Places in Twentieth-Century Suzhou Tanci Regional Literature and the Transmission of Culture: Chinese Drum Ballads, 1800–1937 by Margaret B. Wan (review) Her Feet Hurt: Female Body and Pain in Chen Duansheng's Zaisheng yuan (Destiny of Rebirth) Dungan Folktales and Legends transed. by Kenneth J. Yin (review)
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
0
微信
客服QQ
Book学术公众号 扫码关注我们
反馈
×
意见反馈
请填写您的意见或建议
请填写您的手机或邮箱
已复制链接
已复制链接
快去分享给好友吧!
我知道了
×
扫码分享
扫码分享
Book学术官方微信
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术
文献互助 智能选刊 最新文献 互助须知 联系我们:info@booksci.cn
Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。
Copyright © 2023 Book学术 All rights reserved.
ghs 京公网安备 11010802042870号 京ICP备2023020795号-1