做台词:《圣玛利亚颂》中的叠句和抄写员

Q4 Arts and Humanities Medievalia Pub Date : 2021-12-12 DOI:10.19130/medievalia.2021.53.2.67989
Stephen Parkinson
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引用次数: 1

摘要

在《圣玛利亚的颂歌》的手稿中,每个诗节之后的副歌,以及每首诗之前的标题,都是用红墨水抄写的,在正文用黑墨水抄写后的空白处。这产生了两个特定的限制:需要将文本放入预定的空间,以及多次复制相同文本所固有的重复。这项任务可能被委派给初级抄写员,这意味着许多页面上都有不止一只手。对叠句抄写的仔细研究表明,抄写者使用了一系列的手段来改变和证明叠句的文本,而且抄写可以在整个页面上进行,而不是一列一列地进行。
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Doing lines: refrains and copyists in the Cantigas de Santa Maria
In the manuscripts of the Cantigas de Santa Maria, the refrains following each strophe, as well as the rubrics preceding each poem, are copied in red ink, into spaces left after the copying of the body of the text in black ink. This creates two specific constraints: the need to fit text into predetermined spaces, and the repetition inherent in copying the same text many times over. The task was probably delegated to junior copyists, meaning that many pages have more than one hand represented. Close study of the copying of refrains reveals that the copyists used a range of devices to vary and justify the text of refrains, and that copying could proceed across the whole page rather than column by column.
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来源期刊
Medievalia
Medievalia Arts and Humanities-Visual Arts and Performing Arts
CiteScore
0.20
自引率
0.00%
发文量
0
审稿时长
16 weeks
期刊最新文献
Noelia Silva Santa Cruz, Francisco de Asís García García, Laura Rodríguez Peinado y Raúl Romero Medina (eds.), (In)materialidad en el arte medieval, Gijón, Trea, Piedras Angulares, 2023, 349 páginas 83 imágenes color, 2 tablas, ISBN 978-84-19525-68-0 Juego, simulación y cortesía: personajes históricos en textos literarios franceses del siglo XIII Matteo Maria Boiardo, Orlando enamorado, trad. Francisco Garrido de Villena (1555), edición crítica y anotada e introducción de Helena Aguilà Ruzola, Cilengua, San Millán de la Cogolla, 2023, 1.230 páginas. ISBN 9788418088278 (obra completa); 9788418088254 (vol. I), 9788418088261 (vol. II) La cançó de dona catalana: establiment del corpus, influències literàries i problemes de filiació Materializando lo inmaterial. Algunas consecuencias artísticas de la fiesta de la Virgen de la O en la Baja Edad Media
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