{"title":"细节的标记:普遍性、类型、差异","authors":"Dora Zhang","doi":"10.1215/00267929-10335706","DOIUrl":null,"url":null,"abstract":"\n Departing from the premise that novelistic details particularize and locate characters in a sociocultural matrix, this essay examines what happens to the detail in texts that refuse certain norms of specification. The essay focuses on the French writer Anne F. Garréta’s novel Sphinx (1986), which avoids all linguistic markers of gender for its central pair of lovers, and Toni Morrison’s short story “Recitatif” (1983), which never reveals the racial identities of its two protagonists, one of whom is white and one Black. Drawing on Georg Lukács’s discussion of realism and typicality, the essay considers how these unmarked texts mediate between individual and type, as well as their approaches to the representation of difference.","PeriodicalId":44947,"journal":{"name":"MODERN LANGUAGE QUARTERLY","volume":null,"pages":null},"PeriodicalIF":0.2000,"publicationDate":"2023-03-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The Mark of the Detail: Universalism, Type, Difference\",\"authors\":\"Dora Zhang\",\"doi\":\"10.1215/00267929-10335706\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\\n Departing from the premise that novelistic details particularize and locate characters in a sociocultural matrix, this essay examines what happens to the detail in texts that refuse certain norms of specification. The essay focuses on the French writer Anne F. Garréta’s novel Sphinx (1986), which avoids all linguistic markers of gender for its central pair of lovers, and Toni Morrison’s short story “Recitatif” (1983), which never reveals the racial identities of its two protagonists, one of whom is white and one Black. Drawing on Georg Lukács’s discussion of realism and typicality, the essay considers how these unmarked texts mediate between individual and type, as well as their approaches to the representation of difference.\",\"PeriodicalId\":44947,\"journal\":{\"name\":\"MODERN LANGUAGE QUARTERLY\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2023-03-15\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"MODERN LANGUAGE QUARTERLY\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1215/00267929-10335706\",\"RegionNum\":2,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"N/A\",\"JCRName\":\"LITERATURE\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"MODERN LANGUAGE QUARTERLY","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1215/00267929-10335706","RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"N/A","JCRName":"LITERATURE","Score":null,"Total":0}
The Mark of the Detail: Universalism, Type, Difference
Departing from the premise that novelistic details particularize and locate characters in a sociocultural matrix, this essay examines what happens to the detail in texts that refuse certain norms of specification. The essay focuses on the French writer Anne F. Garréta’s novel Sphinx (1986), which avoids all linguistic markers of gender for its central pair of lovers, and Toni Morrison’s short story “Recitatif” (1983), which never reveals the racial identities of its two protagonists, one of whom is white and one Black. Drawing on Georg Lukács’s discussion of realism and typicality, the essay considers how these unmarked texts mediate between individual and type, as well as their approaches to the representation of difference.
期刊介绍：
MLQ focuses on change, both in literary practice and within the profession of literature itself. The journal is open to essays on literary change from the Middle Ages to the present and welcomes theoretical reflections on the relationship of literary change or historicism to feminism, ethnic studies, cultural materialism, discourse analysis, and all other forms of representation and cultural critique. Seeing texts as the depictions, agents, and vehicles of change, MLQ targets literature as a commanding and vital force.
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