理解和阐明社区音乐的社会影响的概念框架

IF 0.9 4区 艺术学 0 MUSIC International Journal of Community Music Pub Date : 2023-03-01 DOI:10.1386/ijcm_00074_1
B. Bartleet
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引用次数: 0

摘要

这篇文章概述了一个概念框架,以提高我们如何理解和阐明社区音乐的社会影响。社区音乐节目经常谈到大胆的社会影响意图,特别是在与社会正义有关的领域,很少解释可能导致这种变化的过程,也没有详细说明这些变化实际发生的程度。这并不是说这些项目没有对社区产生积极的社会影响。相反,我们的领域有机会提高我们如何概念化、识别、评估和交流这些结果。这篇文章建立在我们这个领域的大量研究证据的基础上,这些研究记录了参与社区音乐带来的各种好处。然而,它通过提供一个概念框架来批判性地思考这些积极的结果如何导致社会影响发生所需的各种宏观的、系统性的变化,从而进一步推动了这项研究。在社会、文化和气候挑战的背景下,随着这一领域在国际上的不断发展和多样化,有办法理解和表达社区音乐的影响可以加强我们的实践和研究,但也会在倡导、政策和跨部门领域产生更大的影响。
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A conceptual framework for understanding and articulating the social impact of community music
This article outlines a conceptual framework for sharpening how we understand and articulate the social impact of community music. Frequently community music programmes speak about bold social impact intentions, especially in areas relating to social justice, with little explanation about the processes that could lead to such changes and patchy details about the extent to which those changes have actually occurred. This is not to say these programmes are not having a positive social impact in communities. Rather, there is an opportunity for our field to sharpen how we conceptualize, identify, evaluate and communicate these outcomes. This article builds on a mounting evidence base of research in our field that documents the multifarious benefits that come from participating in community music. However, it takes this research a step further by providing a conceptual framework for critically thinking through how these positive outcomes can lead to the kinds of macro, systemic changes needed for social impact to occur. As the field continues to grow and diversify internationally, against a backdrop of social, cultural and climate challenges, having ways to understand and articulate community music’s impact could enhance our practice and research, but also lead to greater influence in advocacy, policy and cross-sector domains.
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来源期刊
CiteScore
1.70
自引率
42.90%
发文量
16
期刊介绍: The International Journal of Community Music publishes research articles, practical discussions, timely reviews, readers'' notes and special issues concerning all aspects of community music. The editorial board is composed of leading international scholars and practitioners spanning diverse disciplines that reflect the scope of community music practice and theory. This journal is double-blind peer-reviewed in order to maintain the highest standards of scholastic integrity.
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