{"title":"论声景的底层声学维度的识别与评价","authors":"Jakob Bergner, J. Peissig","doi":"10.1051/aacus/2022042","DOIUrl":null,"url":null,"abstract":"The concept of soundscapes according to ISO 12913-1/-2/-3 proposes a descriptive framework based on a triangulation between the entities acoustic environment, person and context. While research on the person-related dimensions is well established, there is not yet complete agreement on the relevant indicators and dimensions for the pure description of acoustic environments. Therefore, this work attempts to identify acoustic dimensions that actually vary between different acoustic environments and thus can be used to characterize them. To this end, an exploratory, data-based approach was taken. A database of Ambisonics soundscape recordings (approx. 12.5 h) was first analyzed using a variety of signal-based acoustic indicators (Ni = 326) within the categories loudness, quality, spaciousness and time. Multivariate statistical methods were then applied to identify compound and interpretable acoustic dimensions. The interpretation of the results reveals 8 independent dimensions “Loudness”, “Directivity”, “Timbre”, “High-Frequency Timbre”, “Dynamic Range”, “High-Frequency Amplitude Modulation”, “Loudness Progression” and “Mid-High-Frequency Amplitude Modulation” to be statistically relevant. These derived latent acoustic dimensions explain 48.76% of the observed total variance and form a physical basis for the description of acoustic environments. Although all baseline indicators were selected for perceptual reasons, validation must be done through appropriate listening tests in future.","PeriodicalId":48486,"journal":{"name":"Acta Acustica","volume":"48 1","pages":""},"PeriodicalIF":1.0000,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"2","resultStr":"{\"title\":\"On the identification and assessment of underlying acoustic dimensions of soundscapes\",\"authors\":\"Jakob Bergner, J. Peissig\",\"doi\":\"10.1051/aacus/2022042\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The concept of soundscapes according to ISO 12913-1/-2/-3 proposes a descriptive framework based on a triangulation between the entities acoustic environment, person and context. While research on the person-related dimensions is well established, there is not yet complete agreement on the relevant indicators and dimensions for the pure description of acoustic environments. Therefore, this work attempts to identify acoustic dimensions that actually vary between different acoustic environments and thus can be used to characterize them. To this end, an exploratory, data-based approach was taken. A database of Ambisonics soundscape recordings (approx. 12.5 h) was first analyzed using a variety of signal-based acoustic indicators (Ni = 326) within the categories loudness, quality, spaciousness and time. Multivariate statistical methods were then applied to identify compound and interpretable acoustic dimensions. The interpretation of the results reveals 8 independent dimensions “Loudness”, “Directivity”, “Timbre”, “High-Frequency Timbre”, “Dynamic Range”, “High-Frequency Amplitude Modulation”, “Loudness Progression” and “Mid-High-Frequency Amplitude Modulation” to be statistically relevant. These derived latent acoustic dimensions explain 48.76% of the observed total variance and form a physical basis for the description of acoustic environments. Although all baseline indicators were selected for perceptual reasons, validation must be done through appropriate listening tests in future.\",\"PeriodicalId\":48486,\"journal\":{\"name\":\"Acta Acustica\",\"volume\":\"48 1\",\"pages\":\"\"},\"PeriodicalIF\":1.0000,\"publicationDate\":\"2022-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"2\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Acta Acustica\",\"FirstCategoryId\":\"101\",\"ListUrlMain\":\"https://doi.org/10.1051/aacus/2022042\",\"RegionNum\":3,\"RegionCategory\":\"物理与天体物理\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q4\",\"JCRName\":\"ACOUSTICS\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Acta Acustica","FirstCategoryId":"101","ListUrlMain":"https://doi.org/10.1051/aacus/2022042","RegionNum":3,"RegionCategory":"物理与天体物理","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q4","JCRName":"ACOUSTICS","Score":null,"Total":0}
On the identification and assessment of underlying acoustic dimensions of soundscapes
The concept of soundscapes according to ISO 12913-1/-2/-3 proposes a descriptive framework based on a triangulation between the entities acoustic environment, person and context. While research on the person-related dimensions is well established, there is not yet complete agreement on the relevant indicators and dimensions for the pure description of acoustic environments. Therefore, this work attempts to identify acoustic dimensions that actually vary between different acoustic environments and thus can be used to characterize them. To this end, an exploratory, data-based approach was taken. A database of Ambisonics soundscape recordings (approx. 12.5 h) was first analyzed using a variety of signal-based acoustic indicators (Ni = 326) within the categories loudness, quality, spaciousness and time. Multivariate statistical methods were then applied to identify compound and interpretable acoustic dimensions. The interpretation of the results reveals 8 independent dimensions “Loudness”, “Directivity”, “Timbre”, “High-Frequency Timbre”, “Dynamic Range”, “High-Frequency Amplitude Modulation”, “Loudness Progression” and “Mid-High-Frequency Amplitude Modulation” to be statistically relevant. These derived latent acoustic dimensions explain 48.76% of the observed total variance and form a physical basis for the description of acoustic environments. Although all baseline indicators were selected for perceptual reasons, validation must be done through appropriate listening tests in future.
期刊介绍:
Acta Acustica, the Journal of the European Acoustics Association (EAA).
After the publication of its Journal Acta Acustica from 1993 to 1995, the EAA published Acta Acustica united with Acustica from 1996 to 2019. From 2020, the EAA decided to publish a journal in full Open Access. See Article Processing charges.
Acta Acustica reports on original scientific research in acoustics and on engineering applications. The journal considers review papers, scientific papers, technical and applied papers, short communications, letters to the editor. From time to time, special issues and review articles are also published. For book reviews or doctoral thesis abstracts, please contact the Editor in Chief.