Most often, virtual acoustic rendering employs real-time updated room acoustic simulations to accomplish auralization for a variable listener perspective. As an alternative, we propose and test a technique to interpolate room impulse responses, specifically Ambisonic room impulse responses (ARIRs) available at a grid of spatially distributed receiver perspectives, measured or simulated in a desired acoustic environment. In particular, we extrapolate a triplet of neighboring ARIRs to the variable listener perspective, preceding their linear interpolation. The extrapolation is achieved by decomposing each ARIR into localized sound events and re-assigning their direction, time, and level to what could be observed at the listener perspective, with as much temporal, directional, and perspective context as possible. We propose to undertake this decomposition in two levels: Peaks in the early ARIRs are decomposed into jointly localized sound events, based on time differences of arrival observed in either an ARIR triplet, or all ARIRs observing the direct sound. Sound events that could not be jointly localized are treated as residuals whose less precise localization utilizes direction-of-arrival detection and the estimated time of arrival. For the interpolated rendering, suitable parameter settings are found by evaluating the proposed method in a listening experiment, using both measured and simulated ARIR data sets, under static and time-varying conditions.
{"title":"Auralization based on multi-perspective ambisonic room impulse responses","authors":"K. Müller, F. Zotter","doi":"10.1051/aacus/2020024","DOIUrl":"https://doi.org/10.1051/aacus/2020024","url":null,"abstract":"Most often, virtual acoustic rendering employs real-time updated room acoustic simulations to accomplish auralization for a variable listener perspective. As an alternative, we propose and test a technique to interpolate room impulse responses, specifically Ambisonic room impulse responses (ARIRs) available at a grid of spatially distributed receiver perspectives, measured or simulated in a desired acoustic environment. In particular, we extrapolate a triplet of neighboring ARIRs to the variable listener perspective, preceding their linear interpolation. The extrapolation is achieved by decomposing each ARIR into localized sound events and re-assigning their direction, time, and level to what could be observed at the listener perspective, with as much temporal, directional, and perspective context as possible. We propose to undertake this decomposition in two levels: Peaks in the early ARIRs are decomposed into jointly localized sound events, based on time differences of arrival observed in either an ARIR triplet, or all ARIRs observing the direct sound. Sound events that could not be jointly localized are treated as residuals whose less precise localization utilizes direction-of-arrival detection and the estimated time of arrival. For the interpolated rendering, suitable parameter settings are found by evaluating the proposed method in a listening experiment, using both measured and simulated ARIR data sets, under static and time-varying conditions.","PeriodicalId":48486,"journal":{"name":"Acta Acustica","volume":"24 1","pages":""},"PeriodicalIF":1.4,"publicationDate":"2023-12-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80234957","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"物理与天体物理","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Nathan Szwarcberg, Tom Colinot, C. Vergez, M. Jousserand
This article develops the design of a sound synthesis model of a woodwind instrument by modal decomposition of the input impedance, taking into account viscothermal losses as well as localized nonlinear losses at the end of the resonator. This formalism has already been applied by Diab et al. [Journal of Sound and Vibration 528 (2022) 116892] to the study of forced systems. It is now implemented for self-oscillating systems. The employed method extends the definition of the input impedance to the nonlinear domain by adding a dependance on the RMS acoustic velocity at a geometric discontinuity. The poles and residues resulting from the modal decomposition are fitted as a function of this velocity. Thus, the pressure-flow relation defined by the resonator is completed by new equations which account for the dependence with the velocity at the end of the tube. To assess the ability of the model to reproduce a real phenomenon, comparisons with the experimental results of Atig et al. [PhD thesis, Université du Maine (2004)] and Dalmont and Frappé [Journal of the Acoustical Society of America 122(2) (2007) 1173–1179] were carried out. Simulations show that the model reproduces these experimental results qualitatively and quantitatively.
本文通过输入阻抗的模态分解，考虑了粘热损耗和谐振器末端的局部非线性损耗，建立了木管乐器的声音合成模型。这种形式已经被Diab等人[Journal of Sound and Vibration 528(2022) 116892]应用于强迫系统的研究。它现在被用于自振荡系统。该方法将输入阻抗的定义扩展到非线性域，在几何不连续处增加了对均方根声速的依赖。由模态分解得到的极点和残数被拟合为该速度的函数。这样，由谐振器定义的压力-流量关系由新的方程来完成，该方程考虑了与管道末端速度的依赖关系。为了评估该模型再现真实现象的能力，将其与Atig等人[博士论文，universit du Maine(2004)]和Dalmont和frappael [Journal of the acoustic Society of America 122(2)(2007) 1173-1179]的实验结果进行了比较。仿真结果表明，该模型定性和定量地再现了这些实验结果。
{"title":"Amplitude-dependent modal coefficients accounting for localized nonlinear losses in a time-domain integration of woodwind model","authors":"Nathan Szwarcberg, Tom Colinot, C. Vergez, M. Jousserand","doi":"10.1051/aacus/2023007","DOIUrl":"https://doi.org/10.1051/aacus/2023007","url":null,"abstract":"This article develops the design of a sound synthesis model of a woodwind instrument by modal decomposition of the input impedance, taking into account viscothermal losses as well as localized nonlinear losses at the end of the resonator. This formalism has already been applied by Diab et al. [Journal of Sound and Vibration 528 (2022) 116892] to the study of forced systems. It is now implemented for self-oscillating systems. The employed method extends the definition of the input impedance to the nonlinear domain by adding a dependance on the RMS acoustic velocity at a geometric discontinuity. The poles and residues resulting from the modal decomposition are fitted as a function of this velocity. Thus, the pressure-flow relation defined by the resonator is completed by new equations which account for the dependence with the velocity at the end of the tube. To assess the ability of the model to reproduce a real phenomenon, comparisons with the experimental results of Atig et al. [PhD thesis, Université du Maine (2004)] and Dalmont and Frappé [Journal of the Acoustical Society of America 122(2) (2007) 1173–1179] were carried out. Simulations show that the model reproduces these experimental results qualitatively and quantitatively.","PeriodicalId":48486,"journal":{"name":"Acta Acustica","volume":"40 1","pages":""},"PeriodicalIF":1.4,"publicationDate":"2023-10-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80541594","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"物理与天体物理","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This work aims to predict the transfer function of a given modal content inside a circular duct with a bellmouth inlet in the presence of a mean flow. The transfer function is the relation in amplitude and phase between a given mode inside the duct and an observer located in the far-field. The numerical solution is obtained by finite element simulation in which the mean flow is input data. Verification is provided by comparison to the analytical solution of an unbaffled circular duct with uniform flow. Influence from various parameters such as the geometry and mean Mach number on the radiated pressure field is investigated. The analytical solution is a good approximation for finding the radiated principal lobe, and the inlet geometry is found to be more important than other parameters such as mean flow when static inlet configuration is studied.
{"title":"Radiation of higher order modes from circular ducts with flow","authors":"C. Ford, Antonio Pereira, C. Bailly","doi":"10.1051/aacus/2023011","DOIUrl":"https://doi.org/10.1051/aacus/2023011","url":null,"abstract":"This work aims to predict the transfer function of a given modal content inside a circular duct with a bellmouth inlet in the presence of a mean flow. The transfer function is the relation in amplitude and phase between a given mode inside the duct and an observer located in the far-field. The numerical solution is obtained by finite element simulation in which the mean flow is input data. Verification is provided by comparison to the analytical solution of an unbaffled circular duct with uniform flow. Influence from various parameters such as the geometry and mean Mach number on the radiated pressure field is investigated. The analytical solution is a good approximation for finding the radiated principal lobe, and the inlet geometry is found to be more important than other parameters such as mean flow when static inlet configuration is studied.","PeriodicalId":48486,"journal":{"name":"Acta Acustica","volume":"443 1","pages":""},"PeriodicalIF":1.4,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76502542","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"物理与天体物理","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
M. Rychtáriková, Lukáš Zelem, Vojtech Chmelík, S. Bailhache, C. Glorieux
The development and validation of single number quantities that are meant to serve for straightforward assessment and comparison of airborne sound insulation properties of partition walls are typically challenged by the necessity to perform large numbers of laboratory listening tests with human subjects. This is because a reliable validation of a single number quantity requires testing for many different wall types with multiple real-life stimuli that are representative for daily life soundscapes. In this article, an alternative approach is presented that allows to test a large number of “partition wall – real-life sound stimuli” combinations. This approach uses the well-established and nowadays generally accepted Zwicker’s Loudness for quantifying the subjective loudness of sound passing through a wall, and derive from that the subjectively perceived sound insulation. Using the proposed assessment method, the adequacy of single number quantities that are currently in use, and a number of newly proposed single number quantities, are compared.
{"title":"Zwicker’s Loudness model as a robust calculation method for assessment of adequacy of airborne sound insulation descriptors for partition walls in dwelling houses","authors":"M. Rychtáriková, Lukáš Zelem, Vojtech Chmelík, S. Bailhache, C. Glorieux","doi":"10.1051/aacus/2022057","DOIUrl":"https://doi.org/10.1051/aacus/2022057","url":null,"abstract":"The development and validation of single number quantities that are meant to serve for straightforward assessment and comparison of airborne sound insulation properties of partition walls are typically challenged by the necessity to perform large numbers of laboratory listening tests with human subjects. This is because a reliable validation of a single number quantity requires testing for many different wall types with multiple real-life stimuli that are representative for daily life soundscapes. In this article, an alternative approach is presented that allows to test a large number of “partition wall – real-life sound stimuli” combinations. This approach uses the well-established and nowadays generally accepted Zwicker’s Loudness for quantifying the subjective loudness of sound passing through a wall, and derive from that the subjectively perceived sound insulation. Using the proposed assessment method, the adequacy of single number quantities that are currently in use, and a number of newly proposed single number quantities, are compared.","PeriodicalId":48486,"journal":{"name":"Acta Acustica","volume":"62 1","pages":""},"PeriodicalIF":1.4,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89328494","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"物理与天体物理","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Current evolutions in transducer design, such as phased arrays, but more importantly, metamaterials-based acoustic lenses, potentially enable generating specific beam shapes earlier unconsidered. It is known that the Schoch effect, when a bounded incident beam on a submerged solid reflects at the Rayleigh angle, depends on the beam width and the frequency. This work numerically explores the consequence of the shape of such beams on the Schoch effect and invites further experimental work. The study investigates square shapes and beams with exponential flanks compared to Gaussian reference profiles and incorporates diffraction upon sound propagation to resemble reality better. It is shown that stunning differences occur depending on the beam shape, particularly for square beams.
{"title":"Rayleigh angle incident ultrasonic beam shape design influence on reflected beam","authors":"N. Declercq","doi":"10.1051/aacus/2023037","DOIUrl":"https://doi.org/10.1051/aacus/2023037","url":null,"abstract":"Current evolutions in transducer design, such as phased arrays, but more importantly, metamaterials-based acoustic lenses, potentially enable generating specific beam shapes earlier unconsidered. It is known that the Schoch effect, when a bounded incident beam on a submerged solid reflects at the Rayleigh angle, depends on the beam width and the frequency. This work numerically explores the consequence of the shape of such beams on the Schoch effect and invites further experimental work. The study investigates square shapes and beams with exponential flanks compared to Gaussian reference profiles and incorporates diffraction upon sound propagation to resemble reality better. It is shown that stunning differences occur depending on the beam shape, particularly for square beams.","PeriodicalId":48486,"journal":{"name":"Acta Acustica","volume":"60 1","pages":""},"PeriodicalIF":1.4,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84394025","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"物理与天体物理","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Sound reflections and late reverberation alter energetic and binaural cues of a target source, thereby affecting its detection in noise. Two experiments investigated detection of harmonic complex tones, centered around 500 Hz, in noise, in a virtual room with different modifications of simulated room impulse responses (RIRs). Stimuli were auralized using the Simulated Open Field Environment’s (SOFE’s) loudspeakers in anechoic space. The target was presented from the front (0°) or 60° azimuth, while an anechoic noise masker was simultaneously presented at 0°. In the first experiment, early reflections were progressively added to the RIR and detection thresholds of the reverberant target were measured. For a frontal sound source, detection thresholds decreased while adding early reflections within the first 45 ms, whereas for a lateral sound source, thresholds remained constant. In the second experiment, early reflections were removed while late reflections were kept along with the direct sound. Results for a target at 0° show that even reflections as late as 150 ms reduce detection thresholds compared to only the direct sound. A binaural model with a sluggishness component following the computation of binaural unmasking in short windows predicts measured and literature results better than when large windows are used.
{"title":"Fast processing models effects of reflections on binaural unmasking","authors":"Norbert F. Bischof, Pierre G Aublin, B. Seeber","doi":"10.1051/aacus/2023005","DOIUrl":"https://doi.org/10.1051/aacus/2023005","url":null,"abstract":"Sound reflections and late reverberation alter energetic and binaural cues of a target source, thereby affecting its detection in noise. Two experiments investigated detection of harmonic complex tones, centered around 500 Hz, in noise, in a virtual room with different modifications of simulated room impulse responses (RIRs). Stimuli were auralized using the Simulated Open Field Environment’s (SOFE’s) loudspeakers in anechoic space. The target was presented from the front (0°) or 60° azimuth, while an anechoic noise masker was simultaneously presented at 0°. In the first experiment, early reflections were progressively added to the RIR and detection thresholds of the reverberant target were measured. For a frontal sound source, detection thresholds decreased while adding early reflections within the first 45 ms, whereas for a lateral sound source, thresholds remained constant. In the second experiment, early reflections were removed while late reflections were kept along with the direct sound. Results for a target at 0° show that even reflections as late as 150 ms reduce detection thresholds compared to only the direct sound. A binaural model with a sluggishness component following the computation of binaural unmasking in short windows predicts measured and literature results better than when large windows are used.","PeriodicalId":48486,"journal":{"name":"Acta Acustica","volume":"65 1","pages":""},"PeriodicalIF":1.4,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87464154","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"物理与天体物理","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Cyril Calmettes, E. Perrey-Debain, E. Lefrançois, J. Caillet
Duct acoustic network modeling is commonly carried out using the transfer matrix formalism which is limited to the low frequency range. The aim of this work is to extend it to higher frequencies by taking into account the multi-mode acoustic propagation. The first step is to compute, via Finite Element Method (FEM), the multi-port multi-modal scattering matrix of each element. The second step is to transform it into a scattering matrix for the acoustic power, relying on assumptions which are often used for the study of medium-to-high frequency broadband noise. The method is applied to typical elements such as expansion chamber mufflers and air conditioning veins. In all cases, the power-flow model is compared to the FEM solution in terms of Transmission Losses. It is concluded that this simplified model is a reliable tool for the analysis of complex networks encountered in Heat and Ventilation Air Conditioning (HVAC) duct networks.
{"title":"A multi-port scattering matrix formalism for the acoustic prediction in duct networks","authors":"Cyril Calmettes, E. Perrey-Debain, E. Lefrançois, J. Caillet","doi":"10.1051/aacus/2023013","DOIUrl":"https://doi.org/10.1051/aacus/2023013","url":null,"abstract":"Duct acoustic network modeling is commonly carried out using the transfer matrix formalism which is limited to the low frequency range. The aim of this work is to extend it to higher frequencies by taking into account the multi-mode acoustic propagation. The first step is to compute, via Finite Element Method (FEM), the multi-port multi-modal scattering matrix of each element. The second step is to transform it into a scattering matrix for the acoustic power, relying on assumptions which are often used for the study of medium-to-high frequency broadband noise. The method is applied to typical elements such as expansion chamber mufflers and air conditioning veins. In all cases, the power-flow model is compared to the FEM solution in terms of Transmission Losses. It is concluded that this simplified model is a reliable tool for the analysis of complex networks encountered in Heat and Ventilation Air Conditioning (HVAC) duct networks.","PeriodicalId":48486,"journal":{"name":"Acta Acustica","volume":"7 1","pages":""},"PeriodicalIF":1.4,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80210866","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"物理与天体物理","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Soundscape studies evaluate the subjective and objective qualities of an environment and attempt to develop a holistic view of the interplay between the acoustic scene and the listener’s experience. Descriptors are used to express the perception of the acoustic environment, while further subjective and quantitative measures are used as indicators that represent features of the acoustic environment. The relationships between descriptors and indicators for a particular soundscape study are often identified by developing linear statistical models. This work describes an experiment to assess heart rate measures, including ultra short term heart rate variability, within the context of the predictor descriptor framework of a soundscape study. The aim of this work is to provide evidence in support of the psychophysiological basis of measures of affect in soundscape evaluation. In this study 15 participants evaluated a randomly ordered set of 8 soundscape recordings in a repeated measures directed listening experiment. Subjective evaluation of the soundscapes was performed using the self-assessment manikin and a sound classification survey. Participants’ heart rate was measured throughout the experiment with a Polar H10 ECG heart rate monitor. Statistically significant relationships were identified between indicators and descriptors that reflect results present in the literature. However, there were no significant interactions between heart rate measures and self-reported affect or classification scores. Future studies should focus on improving the selection of stimuli and the experiment methodology to boost the sensitivity of the experiment in light of small effect sizes.
{"title":"Assessment of soundscapes using self-report and physiological measures","authors":"S. Durbridge, Damian Murphy","doi":"10.1051/aacus/2022059","DOIUrl":"https://doi.org/10.1051/aacus/2022059","url":null,"abstract":"Soundscape studies evaluate the subjective and objective qualities of an environment and attempt to develop a holistic view of the interplay between the acoustic scene and the listener’s experience. Descriptors are used to express the perception of the acoustic environment, while further subjective and quantitative measures are used as indicators that represent features of the acoustic environment. The relationships between descriptors and indicators for a particular soundscape study are often identified by developing linear statistical models. This work describes an experiment to assess heart rate measures, including ultra short term heart rate variability, within the context of the predictor descriptor framework of a soundscape study. The aim of this work is to provide evidence in support of the psychophysiological basis of measures of affect in soundscape evaluation. In this study 15 participants evaluated a randomly ordered set of 8 soundscape recordings in a repeated measures directed listening experiment. Subjective evaluation of the soundscapes was performed using the self-assessment manikin and a sound classification survey. Participants’ heart rate was measured throughout the experiment with a Polar H10 ECG heart rate monitor. Statistically significant relationships were identified between indicators and descriptors that reflect results present in the literature. However, there were no significant interactions between heart rate measures and self-reported affect or classification scores. Future studies should focus on improving the selection of stimuli and the experiment methodology to boost the sensitivity of the experiment in light of small effect sizes.","PeriodicalId":48486,"journal":{"name":"Acta Acustica","volume":"6 1","pages":""},"PeriodicalIF":1.4,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84071668","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"物理与天体物理","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Metamaterials are intensely explored for their capabilities to modify sound beams. In addition to frequency filtering, acoustic lenses offer intriguing possibilities for shaping sound beams. For the time being, the versatility of metamaterials remains limitless. In beam-shape adaptation, however, their complexity suggests that manufacturers of transducers could benefit from combining metamaterials with more conventional materials. This paper investigates the transmission of a circumscribed beam through a stratum of anisotropic material to examine the change in beam shape after transmission. The incident sound is presumed to originate from a conventional transducer, possibly coated with a metamaterial to modify the sound field, before being transmitted through the anisotropic layer. Different incident beam shapes, such as conical-like, Gaussian, and pillar beams, are investigated. While the results are not exhaustive, they demonstrate the beam shape’s adaptability.
{"title":"Numerical study of beam shape adaptation by anisotropic disk covering transducer or metamaterial","authors":"N. Declercq","doi":"10.1051/aacus/2023024","DOIUrl":"https://doi.org/10.1051/aacus/2023024","url":null,"abstract":"Metamaterials are intensely explored for their capabilities to modify sound beams. In addition to frequency filtering, acoustic lenses offer intriguing possibilities for shaping sound beams. For the time being, the versatility of metamaterials remains limitless. In beam-shape adaptation, however, their complexity suggests that manufacturers of transducers could benefit from combining metamaterials with more conventional materials. This paper investigates the transmission of a circumscribed beam through a stratum of anisotropic material to examine the change in beam shape after transmission. The incident sound is presumed to originate from a conventional transducer, possibly coated with a metamaterial to modify the sound field, before being transmitted through the anisotropic layer. Different incident beam shapes, such as conical-like, Gaussian, and pillar beams, are investigated. While the results are not exhaustive, they demonstrate the beam shape’s adaptability.","PeriodicalId":48486,"journal":{"name":"Acta Acustica","volume":"5 1","pages":""},"PeriodicalIF":1.4,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"91066784","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"物理与天体物理","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The acoustics of performance spaces are usually characterized by the reverberation time and a handful of other acoustical parameters defined in ISO 3382-1. However, these parameters have been derived with closed spaces in mind, and it is not obvious that the same parameters are meaningful in an open-air theatre. The lack of late reflections means that the decay curve is often far from a straight line, and the reverberation parameters turn out to be unreliable. Also, parameters that use the balance between early and late reflections are problematic when late reflections are more or less absent. It is necessary to rethink the need for acoustical parameters instead of sticking to the well-established parameters meant for concert halls. The most important acoustical features of a theatre are that speech is sufficiently loud and clear, which can be described by acoustical parameters for strength and clarity. In addition, it is important to avoid echoes, which are more likely to appear in an outdoor environment than in a room. Thus, there is a need for an objective echo parameter. Acoustical parameters that vary strongly with receiver position are not well suited for a global characterization of the acoustics of a space. For this purpose, a parameter for the acoustical efficiency is suggested; it is defined as ten times the logarithm of the total sound energy in the impulse response relative to the energy of the direct sound. The spatial average of this parameter can be used for comparison of the acoustics of different open-air theatres.
{"title":"A note on meaningful acoustical parameters for open-air theatres","authors":"J. Rindel","doi":"10.1051/aacus/2023015","DOIUrl":"https://doi.org/10.1051/aacus/2023015","url":null,"abstract":"The acoustics of performance spaces are usually characterized by the reverberation time and a handful of other acoustical parameters defined in ISO 3382-1. However, these parameters have been derived with closed spaces in mind, and it is not obvious that the same parameters are meaningful in an open-air theatre. The lack of late reflections means that the decay curve is often far from a straight line, and the reverberation parameters turn out to be unreliable. Also, parameters that use the balance between early and late reflections are problematic when late reflections are more or less absent. It is necessary to rethink the need for acoustical parameters instead of sticking to the well-established parameters meant for concert halls. The most important acoustical features of a theatre are that speech is sufficiently loud and clear, which can be described by acoustical parameters for strength and clarity. In addition, it is important to avoid echoes, which are more likely to appear in an outdoor environment than in a room. Thus, there is a need for an objective echo parameter. Acoustical parameters that vary strongly with receiver position are not well suited for a global characterization of the acoustics of a space. For this purpose, a parameter for the acoustical efficiency is suggested; it is defined as ten times the logarithm of the total sound energy in the impulse response relative to the energy of the direct sound. The spatial average of this parameter can be used for comparison of the acoustics of different open-air theatres.","PeriodicalId":48486,"journal":{"name":"Acta Acustica","volume":"2 1","pages":""},"PeriodicalIF":1.4,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87887401","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"物理与天体物理","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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