{"title":"俄罗斯对中国传统戏剧与叙事文学的研究综述","authors":"Rostislav Berezkin, D. Maiatskii","doi":"10.1080/01937774.2019.1696662","DOIUrl":null,"url":null,"abstract":"This article briefly introduces the history of Russian studies of Chinese traditional drama and storytelling literature, including research works and academic translations, as well as some details of the historical and cultural background of these studies. While not especially numerous, Russian studies had special characteristics that make them different from the corresponding contemporary research in other Western languages, so that one can even speak about the formation of a native Russian school of Chinese drama and storytelling studies in the mid-twentieth century. Russian works can be distinguished by methodology (such as those focusing on the interchange between literary and oral/pictorial traditions) and have used rare and unique materials preserved in Russian collections. Unfortunately, these studies remain largely unknown to Western scholars, so this article tries to make the major achievements of Russian scholars more accessible to English readers.","PeriodicalId":37726,"journal":{"name":"CHINOPERL: Journal of Chinese Oral and Performing Literature","volume":"19 1","pages":"106 - 91"},"PeriodicalIF":0.0000,"publicationDate":"2019-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"Russian Studies of Chinese Traditional Drama and Storytelling Literature: An Overview\",\"authors\":\"Rostislav Berezkin, D. Maiatskii\",\"doi\":\"10.1080/01937774.2019.1696662\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This article briefly introduces the history of Russian studies of Chinese traditional drama and storytelling literature, including research works and academic translations, as well as some details of the historical and cultural background of these studies. While not especially numerous, Russian studies had special characteristics that make them different from the corresponding contemporary research in other Western languages, so that one can even speak about the formation of a native Russian school of Chinese drama and storytelling studies in the mid-twentieth century. Russian works can be distinguished by methodology (such as those focusing on the interchange between literary and oral/pictorial traditions) and have used rare and unique materials preserved in Russian collections. Unfortunately, these studies remain largely unknown to Western scholars, so this article tries to make the major achievements of Russian scholars more accessible to English readers.\",\"PeriodicalId\":37726,\"journal\":{\"name\":\"CHINOPERL: Journal of Chinese Oral and Performing Literature\",\"volume\":\"19 1\",\"pages\":\"106 - 91\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2019-07-03\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"CHINOPERL: Journal of Chinese Oral and Performing Literature\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/01937774.2019.1696662\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q2\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"CHINOPERL: Journal of Chinese Oral and Performing Literature","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/01937774.2019.1696662","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"Arts and Humanities","Score":null,"Total":0}
Russian Studies of Chinese Traditional Drama and Storytelling Literature: An Overview
This article briefly introduces the history of Russian studies of Chinese traditional drama and storytelling literature, including research works and academic translations, as well as some details of the historical and cultural background of these studies. While not especially numerous, Russian studies had special characteristics that make them different from the corresponding contemporary research in other Western languages, so that one can even speak about the formation of a native Russian school of Chinese drama and storytelling studies in the mid-twentieth century. Russian works can be distinguished by methodology (such as those focusing on the interchange between literary and oral/pictorial traditions) and have used rare and unique materials preserved in Russian collections. Unfortunately, these studies remain largely unknown to Western scholars, so this article tries to make the major achievements of Russian scholars more accessible to English readers.
期刊介绍:
The focus of CHINOPERL: Journal of Chinese Oral and Performing Literature is on literature connected to oral performance, broadly defined as any form of verse or prose that has elements of oral transmission, and, whether currently or in the past, performed either formally on stage or informally as a means of everyday communication. Such "literature" includes widely-accepted genres such as the novel, short story, drama, and poetry, but may also include proverbs, folksongs, and other traditional forms of linguistic expression.