瓦拉明Jameh清真寺的统一性:一个几何分析

IF 0.3 3区 艺术学 0 ARCHITECTURE International Journal of Islamic Architecture Pub Date : 2023-06-28 DOI:10.18860/jia.v7i3.20945
Majid Ahsani, S. Ismail, Siyamak Nayyeri Fallah, Ali Al-Ameen
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引用次数: 0

摘要

瓦拉明的Jameh清真寺是少数几个从伊朗建筑向伊朗-伊斯兰建筑转变的建筑之一。这里展示的研究试图处理一些由伊朗建筑师实施的几何原则,以表达统一的概念。本研究对神圣的建筑元素进行了解读,并从不同的角度阐述了瓦拉明Jameh清真寺的设计思路。在第一步,几何原理,如动态矩形,黄金比例,和毕达哥拉斯的琵琶进行了讨论。第二步,将上述几何原理应用到建筑的建筑文件中。此外,确定了建筑的一般形式和圆顶的位置,并分析了从清真寺入口到圆顶开始的层次结构。结果表明,建筑师试图通过预定等级的神圣几何来诱导统一和一神论。此外,研究结果表明,瓦拉明的Jameh清真寺可以被认为是伊朗建筑理念与伊斯兰原则相适应和融合的交叉点。
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The Sense of Unity in the Jameh Mosque of Varamin: A Geometric Analysis
The Jameh Mosque of Varamin is one of the few structures manifesting a transformation from Iranian architecture toward Iranian-Islamic architecture. The study presented here tries to deal with some of the geometric principles implemented by Iranian architects to express the concept of unity. The research decodes the sacred architectural elements and illustrates the ideas used to design the Jameh Mosque of Varamin from different aspects. In the first step, geometric principles such as dynamic rectangles, the golden ratio, and the lute of Pythagoras have been discussed. In the second step, the mentioned geometric principles are adapted to the architectural documents of the building. In addition, the general form of the building and the location of the dome are determined, and the hierarchy beginning from the Mosque's entrance to the dome has been analyzed. The results show that the architects tried to induce unity and monotheism through sacred geometry in a predetermined hierarchy. Also, Findings indicate that the Jameh Mosque of Varamin can be considered the intersection of Iranian architectural ideals adapted and integrated with Islamic principles.
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来源期刊
CiteScore
0.50
自引率
0.00%
发文量
33
期刊介绍: The International Journal of Islamic Architecture (IJIA) publishes bi-annually, peer-reviewed articles on the urban design and planning, architecture and landscape architecture of the historic Islamic world, encompassing the Middle East and parts of Africa and Asia, but also the more recent geographies of Islam in its global dimensions. The main emphasis is on the detailed analysis of the practical, historical and theoretical aspects of architecture, with a focus on both design and its reception. The journal also aims to encourage dialogue and discussion between practitioners and scholars. Articles that bridge the academic-practitioner divide are highly encouraged. While the main focus is on architecture, papers that explore architecture from other disciplinary perspectives, such as art, history, archaeology, anthropology, culture, spirituality, religion and economics are also welcome. The journal is specifically interested in contemporary architecture and urban design in relation to social and cultural history, geography, politics, aesthetics, technology and conservation. Spanning across cultures and disciplines, IJIA seeks to analyse and explain issues related to the built environment throughout the regions covered. The audience of this journal includes both practitioners and scholars. The journal publishes both online and in print. The first issue was published in January 2012.
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