像哈内曼一样思考。像Boenninghausen1

Isidre Lara i Llobet
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引用次数: 0

摘要

哈内曼使用了他自己写的两个从未出版过的剧目,以及另一个由雅尔手工制作并后来(1835年)在他的直接监督下出版的剧目的副本,但他使用和明确赞扬的剧目,在他的伟大作品《治疗艺术的风琴》第153段的脚注中,是伯宁豪森(1832年,1835年,1846年)的剧目,这是第一个出版的剧目(德语),由哈内曼自己写了序言。现在由原德语重新翻译(英语和西班牙语),由一些当代作家审阅和修复。我们根据Hahnemann和Boenninghausen处理病例的方式,考虑到所有病例的主要症状,特征选择,评估和实际应用,急性和慢性,身体和精神,提出了Boenninghausen的剧目。
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Pensar como Hahnemann. Repertorizar como Boenninghausen1

Hahnemann used two repertories written by himself, which were never published, and the copy of another, hand-made by Jahr and published later (1835) under his direct supervision, but the repertory that he used and eulogized explicitly, in a footnote of paragraph §153 of his great work the Organon of the Art of Cure, was that of Boenninghausen (1832, 1835, 1846), the first one published (in German), with a preface by Hahnemann himself, now translated again (to English and Spanish) from the original German, reviewed and restored by some contemporary authors. We present Boenninghausen's repertory, based on the way Hahnemann and Boenninghausen handled a case, taking into account the main symptomatology, the characteristic selection, the evaluation, and the practical application in all cases, acute and chronic, physical and mental.

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