从圣坛到家庭。16、17世纪中国基督教灵修图像、物品和符号的大众化挑战

IF 0.2 0 ART Eikon Imago Pub Date : 2022-03-01 DOI:10.5209/eiko.77135
Antonio De Caro
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引用次数: 1

摘要

在14世纪富有的商人和方济会传教士的远征之后,明朝统治下的中华帝国没有与欧洲世界进行大量接触,反之亦然。16世纪后期,耶稣会传教士重新连接了欧洲和中国这两个世界,重新激活了中世纪的商业、艺术和知识路线,打破了这段艺术和知识的沉默和超然时期。丝绸——在连接中国和欧洲的路线上被商业化的卓越产品——随后伴随着其他珍贵的产品,包括到达欧洲各个宫廷的中国陶瓷和到达北京明朝宫廷的欧洲绘画。本文讨论了罗马天主教在近代早期通过物体和图像进行的复杂和具有挑战性的普及。它特别关注罗马天主教传教士使用的虔诚图像和物品的传播以及与之相关的宗教习俗。
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From the Altar to the Household. The Challenging Popularization of Christian Devotional Images, Objects, and Symbols in 16th and 17th Century China
After the expeditions of wealthy merchants and Franciscan missionaries during the 14th century, the Chinese empire under Ming rule did not engage profusely with the European world, and vice versa. This period of artistic and intellectual silence and detachment was broken in the late 16th century when the Jesuit missionaries reconnected two worlds –Europe and China– reactivating previous medieval commercial, artistic, and intellectual routes. Silk –the product par excellence commercialized along the routes connecting China and Europe– was then accompanied by other precious products, including Chinese ceramics reaching various European courts and European paintings that reached the Ming court in Beijing. This paper addresses the complex and challenging popularization of Roman Catholicism through objects and images during the early modern era. In particular, it focuses on the diffusion of devotional images and objects used by Roman Catholic missionaries and the religious practices related to them.
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来源期刊
CiteScore
0.40
自引率
0.00%
发文量
44
审稿时长
6 weeks
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