El inusual programa iconográfico del Fuero Juzgo conservado en la Biblioteca Nacional de España está conformado por dos iluminaciones sin parangón. La primera representa la Bendición del matrimonio de Adán y Eva; la segunda es un arbor consanguinitatis que arranca de Jesé. En el presente estudio nos adentrarnos en su significado rastreando en la patrística y en la tradición iconográfica la ligazón que une ambos elementos –Jesé y árbol de consanguinidad– y, a su vez, estos con la bendición de la unión de los primeros padres. Todo ello nos permite reconocer la insistencia de su artífice en el carácter sacramental del matrimonio, el vínculo de las imágenes con la liturgia nupcial contemporánea, así como explicar el sentido de dichas imágenes religiosas en este manuscrito jurídico.
{"title":"Crescite et multiplicamini: análisis iconográfico de la iluminación del Fuero Juzgo (Madrid, Biblioteca Nacional, Vitr. 17-10)","authors":"María Arriola Jiménez","doi":"10.5209/eiko.83289","DOIUrl":"https://doi.org/10.5209/eiko.83289","url":null,"abstract":"El inusual programa iconográfico del Fuero Juzgo conservado en la Biblioteca Nacional de España está conformado por dos iluminaciones sin parangón. La primera representa la Bendición del matrimonio de Adán y Eva; la segunda es un arbor consanguinitatis que arranca de Jesé. En el presente estudio nos adentrarnos en su significado rastreando en la patrística y en la tradición iconográfica la ligazón que une ambos elementos –Jesé y árbol de consanguinidad– y, a su vez, estos con la bendición de la unión de los primeros padres. Todo ello nos permite reconocer la insistencia de su artífice en el carácter sacramental del matrimonio, el vínculo de las imágenes con la liturgia nupcial contemporánea, así como explicar el sentido de dichas imágenes religiosas en este manuscrito jurídico.","PeriodicalId":40541,"journal":{"name":"Eikon Imago","volume":"60 6 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2023-01-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90906616","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Cirlot, Victoria. Visión en rojo. Abstracción e informalismo en el Libro de las Revelaciones de Juliana de Norwich. Madrid: Siruela, 2019 [ISBN:978-84-17860-09-7]","authors":"Pere Manel Marquès Carreras","doi":"10.5209/eiko.83461","DOIUrl":"https://doi.org/10.5209/eiko.83461","url":null,"abstract":"","PeriodicalId":40541,"journal":{"name":"Eikon Imago","volume":"6 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2023-01-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88762324","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
La imago de la Justicia ha llamado la atención desde antiguo y, en tiempos recientes, las aproximaciones al tema se han multiplicado. La cuestión que se plantea aquí no versa sobre la imagen de la Virtud en sí misma. Esta será valorada y tenida en cuenta para señalar su unidad sin olvidar los aspectos volubles de su presunta configuración monolítica, capaces de generar cambios notorios en su apariencia icónica. Este estudio se concentra en la revisión de sus ausencias en el arte catalán medieval. Con el fin de describir y analizar estos espacios hueros, que nos hacen pensar en una negación de la Justicia –osea de su personificación femenina–, examino su presencia reiterada, o esporádica, en distintos lugares de Europa, al tiempo que me aproximo a las que fueron sus alternativas en contextos religiosos y civiles catalanes. Este cesar en sus funciones no debió ser condicionado tan solo por un desconocimiento y, en todo caso, pudo ser fruto de un pensamiento gráfico disyuntivo que prioriza otros temas y motivos cuando se trata de representar las ideas de juicio o de justicia.
{"title":"La omnipresencia del Juicio y la “Justicia” ausente: disyuntivas en el arte de la Cataluña medieval","authors":"Rosa Alcoy","doi":"10.5209/eiko.83725","DOIUrl":"https://doi.org/10.5209/eiko.83725","url":null,"abstract":"La imago de la Justicia ha llamado la atención desde antiguo y, en tiempos recientes, las aproximaciones al tema se han multiplicado. La cuestión que se plantea aquí no versa sobre la imagen de la Virtud en sí misma. Esta será valorada y tenida en cuenta para señalar su unidad sin olvidar los aspectos volubles de su presunta configuración monolítica, capaces de generar cambios notorios en su apariencia icónica. Este estudio se concentra en la revisión de sus ausencias en el arte catalán medieval. Con el fin de describir y analizar estos espacios hueros, que nos hacen pensar en una negación de la Justicia –osea de su personificación femenina–, examino su presencia reiterada, o esporádica, en distintos lugares de Europa, al tiempo que me aproximo a las que fueron sus alternativas en contextos religiosos y civiles catalanes. Este cesar en sus funciones no debió ser condicionado tan solo por un desconocimiento y, en todo caso, pudo ser fruto de un pensamiento gráfico disyuntivo que prioriza otros temas y motivos cuando se trata de representar las ideas de juicio o de justicia.","PeriodicalId":40541,"journal":{"name":"Eikon Imago","volume":"87 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2023-01-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82880579","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Many poets writing after World War II felt a sense of diffidence towards the great ideals of history and religion. They offer a satiric interpretation of their time, and their work often perverts the typological reading of history illustrated in the Bible by opposing the promises of a second coming by Christ with the horrors of the war and the Holocaust, suggesting that the concept of “sacrifice” has no redemptive value. Anthony Hecht, an American post-war formalist, expresses this message through an ekphrastic medium, specifically emblems, inspired by mediaeval culture and Renaissance poetry. One of his early works, The Seven Deadly Sins, in collaboration with the engraver Leonard Baskin, presents a modern collection of emblem poems featuring the figure of Christ, which like the emblematic form can be seen as “word made flesh”. Through their combinations of icons and words, the emblems become the perfect form to assess the dialectical opposition between God and man, body and soul, past and present.
{"title":"The Seven Deadly Sins: Anthony Hecht’s Emblem Poems","authors":"Elena Valli","doi":"10.5209/eiko.77628","DOIUrl":"https://doi.org/10.5209/eiko.77628","url":null,"abstract":"Many poets writing after World War II felt a sense of diffidence towards the great ideals of history and religion. They offer a satiric interpretation of their time, and their work often perverts the typological reading of history illustrated in the Bible by opposing the promises of a second coming by Christ with the horrors of the war and the Holocaust, suggesting that the concept of “sacrifice” has no redemptive value. Anthony Hecht, an American post-war formalist, expresses this message through an ekphrastic medium, specifically emblems, inspired by mediaeval culture and Renaissance poetry. One of his early works, The Seven Deadly Sins, in collaboration with the engraver Leonard Baskin, presents a modern collection of emblem poems featuring the figure of Christ, which like the emblematic form can be seen as “word made flesh”. Through their combinations of icons and words, the emblems become the perfect form to assess the dialectical opposition between God and man, body and soul, past and present. ","PeriodicalId":40541,"journal":{"name":"Eikon Imago","volume":"257 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2023-01-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88097852","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Belting, Hans. Faces. Una historia del rostro, traducción de Jesús Espino Nuño. Madrid: Akal, 2021[ISBN 978-84-460-4799-5]","authors":"Gorka López de Munain","doi":"10.5209/eiko.83905","DOIUrl":"https://doi.org/10.5209/eiko.83905","url":null,"abstract":"","PeriodicalId":40541,"journal":{"name":"Eikon Imago","volume":"23 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2023-01-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74541837","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Arola, Raimon. El Tarot de Marsella. Vitoria-Gasteiz: Sans Soleil Ediciones, 2021 [ISBN: 978-84-121578-6-4]","authors":"Laura Boj Pérez","doi":"10.5209/eiko.79936","DOIUrl":"https://doi.org/10.5209/eiko.79936","url":null,"abstract":"","PeriodicalId":40541,"journal":{"name":"Eikon Imago","volume":"34 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2023-01-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74919060","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Tejedor Cabrera, A., M. Linares Gómez del Pulgar, M. López Sánchez y R. Merino del Río, coords. Innovación para la gestión integrada del patrimonio, el paisaje y el turismo. Sevilla: Editorial Universidad de Sevilla, Ediciones Universidad de Valladolid, 2020 [ISBN: 978-84-472-2970-3]","authors":"Libertad Troitiño Torralba","doi":"10.5209/eiko.83059","DOIUrl":"https://doi.org/10.5209/eiko.83059","url":null,"abstract":"","PeriodicalId":40541,"journal":{"name":"Eikon Imago","volume":"30 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135743521","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Reseña de la obra de Kessler, Herbert L. La experiencia del arte medieval. Traducido por Antonia Martínez Ruipérez. Madrid: Akal, 2022 [ISBN: 9788446051435]
赫伯特·l·凯斯勒(Herbert L. Kessler)的作品《中世纪艺术的体验》(the experience of medieval art)。安东尼娅martinez ruiperez翻译。马德里:阿卡尔，2022 [ISBN: 9788446051435]
{"title":"Kessler, Herbert L. La experiencia del arte medieval. Traducido por Antonia Martínez Ruipérez. Madrid: Akal, 2022 [ISBN: 9788446051435]","authors":"Ángel Pazos-López","doi":"10.5209/eiko.86760","DOIUrl":"https://doi.org/10.5209/eiko.86760","url":null,"abstract":"Reseña de la obra de Kessler, Herbert L. La experiencia del arte medieval. Traducido por Antonia Martínez Ruipérez. Madrid: Akal, 2022 [ISBN: 9788446051435]","PeriodicalId":40541,"journal":{"name":"Eikon Imago","volume":"40 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2023-01-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73759162","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Questo articolo presenta i risultati di un’indagine condotta sul ms. Clm 14011 della Bayerische Staatsbibliothek di Monaco. Il manoscritto, databile alla fine del XIII secolo e riconducibile al contesto genovese, contiene le Decretales di Gregorio IX, la Collectio III di Innocenzo IV e le Constitutiones di Gregorio X. Lo studio dell’apparato illustrativo rivela l’intervento di almeno due miniatori di diversa formazione: il primo, responsabile delle tabelle miniate, è legato ai modi della scuola padovana; il secondo, che realizzò le iniziali decorate, mostra l’adesione al linguaggio della scuola gotica genovese, in particolare del Maestro del ms. Lat. 42. L’analisi delle scelte iconografiche permette infine di evidenziare come elementi stilistici e disegnativi propri dell’immaginario religioso vengano impiegati per introdurre i vari libri delle Decretales.
本文介绍了慕尼黑Bayerische Staatsbibliothek对Clm 14011女士的调查结果。十三世纪的手稿,最终和热那亚与背景下,应包括Decretales设防的格雷戈里奥·九Collectio III IV和格雷戈里奥的Constitutiones X说明性的。这项研究显示出至少两个不同的miniatori干预培训:负责miniate表,首先,是与padovana学校的方式;第二幅画的首字母是热那亚哥特式学校的语言，尤其是拉特42女士的老师。最后，对图像选择的分析表明，宗教意象的文体和图形元素是如何被用来介绍各种法令书的。
{"title":"Il ms. Clm 14011 della Bayerische Staatsbibliothek di Monaco: coesistenze stilistiche e scelte illustrative in un codice giuridico realizzato a Genova alla fine del Duecento","authors":"Federica Volpera","doi":"10.5209/eiko.81767","DOIUrl":"https://doi.org/10.5209/eiko.81767","url":null,"abstract":" Questo articolo presenta i risultati di un’indagine condotta sul ms. Clm 14011 della Bayerische Staatsbibliothek di Monaco. Il manoscritto, databile alla fine del XIII secolo e riconducibile al contesto genovese, contiene le Decretales di Gregorio IX, la Collectio III di Innocenzo IV e le Constitutiones di Gregorio X. Lo studio dell’apparato illustrativo rivela l’intervento di almeno due miniatori di diversa formazione: il primo, responsabile delle tabelle miniate, è legato ai modi della scuola padovana; il secondo, che realizzò le iniziali decorate, mostra l’adesione al linguaggio della scuola gotica genovese, in particolare del Maestro del ms. Lat. 42. L’analisi delle scelte iconografiche permette infine di evidenziare come elementi stilistici e disegnativi propri dell’immaginario religioso vengano impiegati per introdurre i vari libri delle Decretales.","PeriodicalId":40541,"journal":{"name":"Eikon Imago","volume":"90 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2023-01-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74054534","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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