{"title":"《声音的种族:非裔美国人音乐的听觉、音色和人声》","authors":"S. Gunst","doi":"10.1080/01411896.2020.1738138","DOIUrl":null,"url":null,"abstract":"2018 was a notable year for interrogating the racialized voice, given the release of two much-talked-about films: Spike Lee’s BlacKkKlansman and Boots Riley’s Sorry to Bother You. In the first, bas...","PeriodicalId":42616,"journal":{"name":"JOURNAL OF MUSICOLOGICAL RESEARCH","volume":"30 1","pages":"355 - 357"},"PeriodicalIF":0.4000,"publicationDate":"2020-03-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"4","resultStr":"{\"title\":\"The Race of Sound: Listening, Timbre, and Vocality in African American Music\",\"authors\":\"S. Gunst\",\"doi\":\"10.1080/01411896.2020.1738138\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"2018 was a notable year for interrogating the racialized voice, given the release of two much-talked-about films: Spike Lee’s BlacKkKlansman and Boots Riley’s Sorry to Bother You. In the first, bas...\",\"PeriodicalId\":42616,\"journal\":{\"name\":\"JOURNAL OF MUSICOLOGICAL RESEARCH\",\"volume\":\"30 1\",\"pages\":\"355 - 357\"},\"PeriodicalIF\":0.4000,\"publicationDate\":\"2020-03-17\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"4\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"JOURNAL OF MUSICOLOGICAL RESEARCH\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/01411896.2020.1738138\",\"RegionNum\":2,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"MUSIC\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"JOURNAL OF MUSICOLOGICAL RESEARCH","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/01411896.2020.1738138","RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"MUSIC","Score":null,"Total":0}
The Race of Sound: Listening, Timbre, and Vocality in African American Music
2018 was a notable year for interrogating the racialized voice, given the release of two much-talked-about films: Spike Lee’s BlacKkKlansman and Boots Riley’s Sorry to Bother You. In the first, bas...
期刊介绍:
The Journal of Musicological Research publishes original articles on all aspects of the discipline of music: historical musicology, style and repertory studies, music theory, ethnomusicology, music education, organology, and interdisciplinary studies. Because contemporary music scholarship addresses critical and analytical issues from a multiplicity of viewpoints, the Journal of Musicological Research seeks to present studies from all perspectives, using the full spectrum of methodologies. This variety makes the Journal a place where scholarly approaches can coexist, in all their harmony and occasional discord, and one that is not allied with any particular school or viewpoint.