儿童与音乐:对话中的音乐教育与儿童研究

IF 0.3 Q4 EDUCATION & EDUCATIONAL RESEARCH Childhood and Philosophy Pub Date : 2020-07-11 DOI:10.12957/childphilo.2020.48349
Sandra Mara da Cunha
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引用次数: 2

摘要

儿童与音乐是这篇文章的主题构思,作为一种排练,目的是思考儿童的音乐教育。它的理论基础来自音乐教育与儿童研究之间的对话,并为2019年9月在里约热内卢州立大学举行的第二届儿童研究大会上举行的讲座研讨会奠定了基础。本文论述了基于网络格式和圈子的创造性课程方法上的开放。孩子们在了解自己手艺的教授艺术家的指导下即兴创作和作曲,从这些实验动态中涌现出来。孩子们与他们的老师一起参与合作行动,反过来又以“双重倾听”的形式赋予了教师的角色新的意义——既倾听孩子,也倾听他们的音乐表达。儿童音乐研究的发展对音乐教育和教育领域都具有重要意义。这项研究也有助于儿童研究,因为倾听儿童的音乐表达可以让我们更多地了解他们在创作音乐时的想法、感受和行为。它还有望提高他们创作的歌曲的可见度和可听性,并使人们认识到学校音乐教育的重要性。
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crianças e música: educação musical e estudos da infância em diálogo
Children and music are the theme of this article conceived as a sort of rehearsal, with the aim of thinking a musical education of childhood. Its theoretical foundations emerge from conversations between music education and childhood studies, and formed the basis for  the lecture workshop held at the II Congress of Childhood Studies, in September 2019, at the University of the State of Rio de Janeiro. The text addresses methodological openings present in creative approaches to curricula based on network formats and circles. Improvisations and compositions made by children and guided by professor-artists who know their craft, emerge from these experimental dynamics. The participation of children in collaborative action with their teachers gives, in turn, new meanings to the teacher’s role in the form of “double listening”—listening both to children and to their musical expressions. The development of research in children’s music has powerful implications both for musical education and for the field of education. This research also contributes to childhood studies, since listening to children's musical expressions makes it possible to know more about what they think, feel and do when they create their music. It also promises to result in greater visibility and audibility for the songs invented by them, and for the recognition of the importance of music education in schools.
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来源期刊
CiteScore
0.50
自引率
0.00%
发文量
20
审稿时长
8 weeks
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