瓜里诺·瓜里尼的建筑理论与反改革的亚里士多德主义:平民建筑与Placita哲学中的视觉性与美学

IF 0.1 0 MEDIEVAL & RENAISSANCE STUDIES I Tatti Studies Pub Date : 2020-09-01 DOI:10.1086/710779
B. Mitrović
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引用次数: 0

摘要

瓜里诺·瓜里尼(1624-83)今天主要以他的建筑作品而闻名,如圣辛东教堂、圣洛伦佐教堂、都灵的卡里尼亚诺宫或维琴察阿拉切利的圣玛丽亚教堂。他百科全书式的兴趣和大量关于哲学、数学和天文学的论文——对于一个巴洛克式的建筑师来说,这是相当非凡的——却很少得到学术上的关注。同时,这些非建筑的兴趣也不容易与他的建筑追求,尤其是他的建筑理论观点分开。他在建筑专著《建筑文明》(Architettura civilile)中所支持的理论立场,往往源于他在哲学专著《Placita philosophica》中阐述的更广泛的哲学观点。这是特别的情况
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Guarino Guarini’s Architectural Theory and Counter-Reformation Aristotelianism: Visuality and Aesthetics in Architettura civile and Placita philosophica
GUARINO GUARINI (1624–83) is today mainly remembered for his architectural works, such as the chapel of Santissima Sindone, the church of San Lorenzo, Palazzo Carignano in Turin, or the church Santa Maria in Araceli in Vicenza. His encyclopedic interests and massive treatises on philosophy, mathematics, and astronomy—quite extraordinary for a Baroque architect—have received much less scholarly attention. At the same time, these nonarchitectural interests are not easy to separate from his architectural pursuits, especially his views on architectural theory. The theoretical positions that he endorses in his architectural treatise Architettura civile often result from his wider philosophical views, elaborated in his philosophical treatise, Placita philosophica. This is particularly the case
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I Tatti Studies MEDIEVAL & RENAISSANCE STUDIES-
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