身份的礼物:(再)呈现出古典雅典的自治

IF 0.2 4区 历史学 0 CLASSICS RAMUS-CRITICAL STUDIES IN GREEK AND ROMAN LITERATURE Pub Date : 2021-12-01 DOI:10.1017/rmu.2021.13
J. H. Clements
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引用次数: 1

摘要

公元前5世纪的雅典人创造并着迷于一个不同寻常且令人难忘的概念,这个概念为公民提供了一个与他们所居住的土地密切相关的祖先:自治。尽管人们对古典雅典的本土统治进行了广泛的研究,但将神话视为一种仪式和表演行为的表现的方法却没有得到广泛的考虑。本文从其仪式(再)呈现的角度反思本土性,考虑肖像学如何帮助塑造对雅典公民身份的具体和具体理解,包括与神和同名祖先的家庭关系。通过将五世纪的花瓶绘画中的视觉表现作为最有效的渠道来表达本土的意思,我们可以更好地理解它作为一种复制仪式礼物的视觉行为的力量。
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THE GIFT OF IDENTITY: (RE)PRESENTING AUTOCHTHONY IN CLASSICAL ATHENS
The Athenians of the fifth century BCE both created and were captivated by an unusual and memorable concept that provided citizens with an ancestry that was closely linked to the very earth they inhabited: autochthony. Although autochthony in classical Athens has been studied extensively, the methodology of viewing the myth as a representation of a ritual and performative act has not been widely considered. This paper reflects upon autochthony from the angle of its ceremonial (re)presentation, considering how iconography helped shape a concrete and specific understanding of Athenian civic identity, including familial ties with the gods and eponymous ancestors. By situating fifth-century visual representations in vase painting as the most effective conduit for what autochthony meant, we can better understand its power as a visual action that replicates a ritual gift.
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来源期刊
CiteScore
0.40
自引率
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发文量
7
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