{"title":"身份的礼物:(再)呈现出古典雅典的自治","authors":"J. H. Clements","doi":"10.1017/rmu.2021.13","DOIUrl":null,"url":null,"abstract":"The Athenians of the fifth century BCE both created and were captivated by an unusual and memorable concept that provided citizens with an ancestry that was closely linked to the very earth they inhabited: autochthony. Although autochthony in classical Athens has been studied extensively, the methodology of viewing the myth as a representation of a ritual and performative act has not been widely considered. This paper reflects upon autochthony from the angle of its ceremonial (re)presentation, considering how iconography helped shape a concrete and specific understanding of Athenian civic identity, including familial ties with the gods and eponymous ancestors. By situating fifth-century visual representations in vase painting as the most effective conduit for what autochthony meant, we can better understand its power as a visual action that replicates a ritual gift.","PeriodicalId":43863,"journal":{"name":"RAMUS-CRITICAL STUDIES IN GREEK AND ROMAN LITERATURE","volume":"17 1","pages":"189 - 209"},"PeriodicalIF":0.2000,"publicationDate":"2021-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"THE GIFT OF IDENTITY: (RE)PRESENTING AUTOCHTHONY IN CLASSICAL ATHENS\",\"authors\":\"J. H. Clements\",\"doi\":\"10.1017/rmu.2021.13\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The Athenians of the fifth century BCE both created and were captivated by an unusual and memorable concept that provided citizens with an ancestry that was closely linked to the very earth they inhabited: autochthony. Although autochthony in classical Athens has been studied extensively, the methodology of viewing the myth as a representation of a ritual and performative act has not been widely considered. This paper reflects upon autochthony from the angle of its ceremonial (re)presentation, considering how iconography helped shape a concrete and specific understanding of Athenian civic identity, including familial ties with the gods and eponymous ancestors. By situating fifth-century visual representations in vase painting as the most effective conduit for what autochthony meant, we can better understand its power as a visual action that replicates a ritual gift.\",\"PeriodicalId\":43863,\"journal\":{\"name\":\"RAMUS-CRITICAL STUDIES IN GREEK AND ROMAN LITERATURE\",\"volume\":\"17 1\",\"pages\":\"189 - 209\"},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2021-12-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"RAMUS-CRITICAL STUDIES IN GREEK AND ROMAN LITERATURE\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1017/rmu.2021.13\",\"RegionNum\":4,\"RegionCategory\":\"历史学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"CLASSICS\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"RAMUS-CRITICAL STUDIES IN GREEK AND ROMAN LITERATURE","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1017/rmu.2021.13","RegionNum":4,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"CLASSICS","Score":null,"Total":0}
THE GIFT OF IDENTITY: (RE)PRESENTING AUTOCHTHONY IN CLASSICAL ATHENS
The Athenians of the fifth century BCE both created and were captivated by an unusual and memorable concept that provided citizens with an ancestry that was closely linked to the very earth they inhabited: autochthony. Although autochthony in classical Athens has been studied extensively, the methodology of viewing the myth as a representation of a ritual and performative act has not been widely considered. This paper reflects upon autochthony from the angle of its ceremonial (re)presentation, considering how iconography helped shape a concrete and specific understanding of Athenian civic identity, including familial ties with the gods and eponymous ancestors. By situating fifth-century visual representations in vase painting as the most effective conduit for what autochthony meant, we can better understand its power as a visual action that replicates a ritual gift.