庄严、嘲弄和印刷错误:肖斯塔科维奇第五交响曲的尾声

IF 0.4 2区 艺术学 0 MUSIC JOURNAL OF MUSICOLOGICAL RESEARCH Pub Date : 2022-04-03 DOI:10.1080/01411896.2022.2074845
P. Kupfer
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引用次数: 1

摘要

本文以joss Bowen、Nicholas Cook和Daniel Leech-Wilkinson的作品为基础,通过对1938年至2019年间制作的152张唱片的节奏进行统计分析,研究了德米特里·肖斯塔科维奇(Dmitry Shostakovich)《第五交响曲》(1937)结尾部分的演奏历史。我将这些数据中出现的趋势置于独特的错误、神话和意识形态的混合中,这些错误、神话和意识形态影响了交响乐的表演和接受历史。最后,我展示了不断变化的历史环境如何影响表演的意义(如保存在录音中的),以及经验方法如何有助于揭示其中的模式。
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Of Majesty, Mockery, and Misprints: The Coda of Shostakovich’s Fifth on Record
ABSTRACT Drawing on work by José Bowen, Nicholas Cook, and Daniel Leech-Wilkinson, in this article I examine the performance history of the coda of Dmitry Shostakovich’s Fifth Symphony (1937) through statistical analysis of tempo in 152 recordings made between 1938 and 2019. I contextualize the trends that emerge from this data within the unique mix of errors, myths, and ideologies that have informed the performance and reception history of the symphony. Ultimately, I demonstrate how changing historical circumstances can affect the meanings of performances (as preserved in recordings) and how empirical methods can help reveal patterns among them.
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来源期刊
CiteScore
0.30
自引率
0.00%
发文量
17
期刊介绍: The Journal of Musicological Research publishes original articles on all aspects of the discipline of music: historical musicology, style and repertory studies, music theory, ethnomusicology, music education, organology, and interdisciplinary studies. Because contemporary music scholarship addresses critical and analytical issues from a multiplicity of viewpoints, the Journal of Musicological Research seeks to present studies from all perspectives, using the full spectrum of methodologies. This variety makes the Journal a place where scholarly approaches can coexist, in all their harmony and occasional discord, and one that is not allied with any particular school or viewpoint.
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