Anik Purwati, Malarsih Malarsih, Agus Cahyono
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摘要

舞蹈,例如,来自三宝垄的托鹏阿玉是爪哇文化之一,已成为活的传统。这是三宝垄郊区塔农人的文化表达。作为一种社会的象征和身份,这种舞蹈已经成为一种文化议程,以促进文化吸引和教育。虽然有从传统到现代的转变,但Tanon人仍然坚持现有的祖先传统。从它的符号互动,即转换的形式及其对文化的影响,特别是托鹏阿玉舞,来研究这一现象是很有趣的。本研究是描述性质的,旨在揭示研究对象行为的意义。它使用了社会学的方法。通过观察、访谈和文档收集数据,并使用交互式分析模型进行分析。研究结果表明,托鹏阿玉舞是一种民间艺术,是塔农族当地文化的产物,具有独特的特点和当地社会的象征。“托朋阿玉”一词最初的意思是“塔伦朋hayuning urip”,一种鼓励人们在现有的多元化中和平、和谐、宽容地生活的生活哲学。这种舞蹈动作的符号传达了尊重的含义,无论是maju beksan, beksan还是mundur beksan,作为一种社会互动形式,创造了一个开放的社会。
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PERGESERAN RELASI BUDAYA TARI TOPENG AYU PADA MASYARAKAT TANON SEMARANG
Dance, for instance, Topeng Ayu from Tanon Semarang is one of Javanese cultures which becomes living tradition. It is a cultural expression of Tanon people on the outskirts of Semarang. As a symbol and identity of society, this dance has become a cultural agenda to promote cultural attractions and education. Although there is a shift from traditional to modern, Tanon people has still stood on the existing ancestral traditions.  This phenomenon is interesting to be studied from its symbolic interaction, namely form of shift and its influence on culture, especially Topeng Ayu Dance. This research is descriptive qualitative and aims at revealing the meaning of research object action. It uses a sociological approach. Data were collected through observation, interviews, and documentation and analyzed with an interactive analysis model. The findings of this study indicated that Topeng Ayu Dance is a folk art as well as product of the local culture of the Tanon people which has unique characteristic and symbol of local society. The term of Topeng Ayu initially means tata lempeng hayuning urip, philosophy of life that encourages people to live in peace, harmony, and tolerance in the midst of existing plurality. The symbols of this dance moves convey meanings namely respect, both when maju beksan, beksan and mundur beksan as a form of social interaction to create an open society.
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