网络时代纪实摄影集的延续

J. Martin
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引用次数: 0

摘要

一些艺术家在记录世界的过程中考虑到互联网的存在,他们仍然忠实于摄影书。他们在手抄本中发现了一种屏幕无法提供的体验。一些纪录片艺术家对这本书的采用采用了一个古老的纪录片项目的挪用做法。布隆伯格和查纳林的《战争入门2》和米什卡·亨纳的《更少的美国人》分别复制了贝托尔特·布莱希特的《战争的ABC》和罗伯特·弗兰克的《美国人》。艺术家和摄影师对书籍的重新兴趣可以用两种媒介之间的比较逻辑来解释:网络的出现,以及它的格式和特殊性,使人们有可能通过类比和区分,更好地欣赏书籍和网络的特征,以及它们各自的语言。然而,一些艺术家并没有将这些出版模式作为替代,而是将他们的逻辑结合起来,求助于允许自我制作和自我发行书籍的在线自助出版平台。艺术家米什卡·亨纳(Mishka Henner)在自助出版网站上系统地出版书籍,尤其引人注目。收稿日期:2022年3月31日;录用日期:2022年6月21日;在线发布:2022年9月15日。原创学术论文
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The Persistence of the Documentary Photobook in the Age of the Web
Several artists who take into consideration the existence of the Internet in their process of documenting the world remain faithful to the photography book. They find in the codex an experience that a screen remains incapable of providing. The adoption of the book by some documentarist artists engages appropriation practices from an ancient documentary project. War Primer 2 by Broomberg & Chanarin and Less Américains by Mishka Henner reproduce pre-existing books, respectively The ABC of War by Bertolt Brecht and The Americans by Robert Frank. The renewed interest of artists and photographers in books can be explained by a logic of comparison between the two media: the emergence of the web, with its formats and specificities, makes it possible to better appreciate, by analogy and distinction, what characterizes books and the web, and what makes their respective languages. However, rather than thinking of the modes of publication as alternatives, some of the artists merge their logic by resorting to online self-publishing platforms that allow the self-production and self-distribution of books. The artist Mishka Henner stands out in particular for his systematic production of books on self-publishing sites.   Article received: March 31, 2022; Article accepted: June 21, 2022; Published online: September 15, 2022. Original scholarly paper
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