IF 0.5 0 FILM, RADIO, TELEVISION Music Sound and the Moving Image Pub Date : 2021-11-01 DOI:10.5749/movingimage.21.1-2.0145
Rick Prelinger
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引用次数: 0

摘要

摘要:本文主张“超越档案获取本身的观念”,即一种过时的“义务贵族”形式,考虑一种新的档案模式,即“社区权利”,使档案及其众多公众参与进来。注意到土著社区有时无法访问他们最初创造的文件和物品,这些文件和物品现在已经从社区中移除,并且非母语(通常是英语)的档案附件没有充分描述和保存,作者将社区权利定义为“第一,看到,听到,再利用和制作衍生作品的权利档案记录,第二,尊重文化主权,自治和传统。”因此,档案本身可以成为社会正义的积极场所,而不是“复制排斥和压迫”的被动存储库。
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Beyond Noblesse Oblige
Abstract:The article advocates for moving “beyond the idea of archival access itself,” which the author suggests is an outdated form of noblesse oblige, to consider a new archival model, “a community right,” to engage archives and their many publics. Noting that Indigenous communities are sometimes unable to access the very documents and objects they have originally created, and which are now removed from the communities as well as inadequately described and preserved by non-native-language-based (often English) archival enclosures, the author defines the community right as “first, the right to see, hear, reuse, and make derivative works from the archival record and, second, respect for cultural sovereignty, autonomy, and tradition.” Archives, then, as such, can become active sites of social justice as opposed to passive repositories “that reproduce exclusion and oppression.”
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来源期刊
Music Sound and the Moving Image
Music Sound and the Moving Image FILM, RADIO, TELEVISION-
CiteScore
0.70
自引率
0.00%
发文量
6
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