有限空间中创造性和非正式学习的教学

Terry G. Sefton
{"title":"有限空间中创造性和非正式学习的教学","authors":"Terry G. Sefton","doi":"10.22176/act17.3.79","DOIUrl":null,"url":null,"abstract":"This paper discusses two projects that use practice as research to explore learning that takes place in liminal spaces—within the university but not formally in the classroom, while bridging discursive fields. In each project, university faculty participants and student participants in the fields of music, dance, and education, came together to collaborate on creating and performing new works. Participants worked with traditional techniques of composition in one project and storytelling and improvisation in the other. Both projects involved students and faculty working together on a voluntary basis. This paper documents how informal learning and creative thinking benefit from taking place in a liminal zone—within the university and its extended community, but not constrained by fixed discursive practices such as course expectations, assessment, or credit requirements—and allow for both students and faculty to learn from each other and to take creative risks.","PeriodicalId":29990,"journal":{"name":"Action Criticism and Theory for Music Education","volume":null,"pages":null},"PeriodicalIF":0.0000,"publicationDate":"2018-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"Teaching for Creativity and Informal Learning in Liminal Spaces\",\"authors\":\"Terry G. Sefton\",\"doi\":\"10.22176/act17.3.79\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This paper discusses two projects that use practice as research to explore learning that takes place in liminal spaces—within the university but not formally in the classroom, while bridging discursive fields. In each project, university faculty participants and student participants in the fields of music, dance, and education, came together to collaborate on creating and performing new works. Participants worked with traditional techniques of composition in one project and storytelling and improvisation in the other. Both projects involved students and faculty working together on a voluntary basis. This paper documents how informal learning and creative thinking benefit from taking place in a liminal zone—within the university and its extended community, but not constrained by fixed discursive practices such as course expectations, assessment, or credit requirements—and allow for both students and faculty to learn from each other and to take creative risks.\",\"PeriodicalId\":29990,\"journal\":{\"name\":\"Action Criticism and Theory for Music Education\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2018-09-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Action Criticism and Theory for Music Education\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.22176/act17.3.79\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Action Criticism and Theory for Music Education","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.22176/act17.3.79","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 1

摘要

本文讨论了两个项目,它们将实践作为研究来探索在有限空间中发生的学习——在大学里,而不是在正式的课堂上,同时连接话语领域。在每个项目中,音乐、舞蹈和教育领域的大学教师和学生参与者聚集在一起,合作创作和表演新作品。参与者在一个项目中使用传统的作曲技术,在另一个项目中使用讲故事和即兴创作。这两个项目都涉及到学生和教师在自愿的基础上一起工作。本文记录了非正式学习和创造性思维如何受益于发生在一个有限的区域——在大学及其扩展的社区内,但不受固定的话语实践(如课程期望、评估或学分要求)的限制,并允许学生和教师相互学习并承担创造性风险。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
查看原文
分享 分享
微信好友 朋友圈 QQ好友 复制链接
本刊更多论文
Teaching for Creativity and Informal Learning in Liminal Spaces
This paper discusses two projects that use practice as research to explore learning that takes place in liminal spaces—within the university but not formally in the classroom, while bridging discursive fields. In each project, university faculty participants and student participants in the fields of music, dance, and education, came together to collaborate on creating and performing new works. Participants worked with traditional techniques of composition in one project and storytelling and improvisation in the other. Both projects involved students and faculty working together on a voluntary basis. This paper documents how informal learning and creative thinking benefit from taking place in a liminal zone—within the university and its extended community, but not constrained by fixed discursive practices such as course expectations, assessment, or credit requirements—and allow for both students and faculty to learn from each other and to take creative risks.
求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
自引率
0.00%
发文量
8
审稿时长
28 weeks
期刊最新文献
Playing Upon the Blue Guitar: Toward Re-imaginings of the U.S. National Anthems Wherein Apocalypse: The Time Being in Music Education Empowering Asian Educators in the Time of Crisis Disabled and Racialized Musicians: Experiences and Epistemologies Assimilation and Integration in Classical Music Education
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
0
微信
客服QQ
Book学术公众号 扫码关注我们
反馈
×
意见反馈
请填写您的意见或建议
请填写您的手机或邮箱
已复制链接
已复制链接
快去分享给好友吧!
我知道了
×
扫码分享
扫码分享
Book学术官方微信
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术
文献互助 智能选刊 最新文献 互助须知 联系我们:info@booksci.cn
Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。
Copyright © 2023 Book学术 All rights reserved.
ghs 京公网安备 11010802042870号 京ICP备2023020795号-1