{"title":"纺织品d -form和D4d","authors":"K. Seaton","doi":"10.1080/17513472.2021.1991134","DOIUrl":null,"url":null,"abstract":"D-forms were originally created from inflexible materials and have subsequently been considered as abstract mathematical objects. This paper describes a textile instance of a D-form, with ornamentation of the constituent surfaces as the highlighted feature. A set of 11 biscornu has been fashioned to provide a 3D sampler of the axial point group and its subgroups, using hitomezashi. Thus, this paper provides a link between the D-form literature and that of complete symmetry samplers in the fibre arts. GRAPHICAL ABSTRACT","PeriodicalId":42612,"journal":{"name":"Journal of Mathematics and the Arts","volume":null,"pages":null},"PeriodicalIF":0.3000,"publicationDate":"2021-03-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"Textile D-forms and D4d\",\"authors\":\"K. Seaton\",\"doi\":\"10.1080/17513472.2021.1991134\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"D-forms were originally created from inflexible materials and have subsequently been considered as abstract mathematical objects. This paper describes a textile instance of a D-form, with ornamentation of the constituent surfaces as the highlighted feature. A set of 11 biscornu has been fashioned to provide a 3D sampler of the axial point group and its subgroups, using hitomezashi. Thus, this paper provides a link between the D-form literature and that of complete symmetry samplers in the fibre arts. GRAPHICAL ABSTRACT\",\"PeriodicalId\":42612,\"journal\":{\"name\":\"Journal of Mathematics and the Arts\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.3000,\"publicationDate\":\"2021-03-16\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Journal of Mathematics and the Arts\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/17513472.2021.1991134\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q4\",\"JCRName\":\"MATHEMATICS, INTERDISCIPLINARY APPLICATIONS\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Mathematics and the Arts","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/17513472.2021.1991134","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q4","JCRName":"MATHEMATICS, INTERDISCIPLINARY APPLICATIONS","Score":null,"Total":0}
D-forms were originally created from inflexible materials and have subsequently been considered as abstract mathematical objects. This paper describes a textile instance of a D-form, with ornamentation of the constituent surfaces as the highlighted feature. A set of 11 biscornu has been fashioned to provide a 3D sampler of the axial point group and its subgroups, using hitomezashi. Thus, this paper provides a link between the D-form literature and that of complete symmetry samplers in the fibre arts. GRAPHICAL ABSTRACT
京公网安备 11010802042870号
京ICP备2023020795号-1
分享
求助内容：
应助结果提醒方式：
扫码关注我们
