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Journal of Mathematics and the Arts最新文献

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Expanding a classroom to an interactive learning ecosystem. A cookbook based on the ingredients: creativity, collaboration, space, and time serving two Grade 7 classes 将课堂拓展为互动学习生态系统。以创造力、协作、空间和时间等要素为基础的食谱,服务于两个七年级班级
IF 0.3 Q4 MATHEMATICS, INTERDISCIPLINARY APPLICATIONS Pub Date : 2024-07-10 DOI: 10.1080/17513472.2024.2368991
Brigitta Békési, Eva Ulbrich, T. Houghton, Zsolt Lavicza
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引用次数: 0
Visualizations and pictures for the visually impaired and its connection to STEM education 视障人士的可视化和图片及其与 STEM 教育的联系
IF 0.3 Q4 MATHEMATICS, INTERDISCIPLINARY APPLICATIONS Pub Date : 2024-07-09 DOI: 10.1080/17513472.2024.2365086
Eva Ulbrich, B. Anđić, Barbara Lichtenegger, Martin Ulbrich, Zsolt Lavicza
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引用次数: 0
The rhizomic tiles at Shooter’s Hill: an application of Truchet tiles 射手山的根瘤瓦:特鲁切瓦的应用
IF 0.2 Q1 Arts and Humanities Pub Date : 2024-03-29 DOI: 10.1080/17513472.2024.2326700
Eva Knoll, Karyn McLellan, Danielle Cox
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引用次数: 0
A threading path to a Ramsey number 通往拉姆齐数字的穿线路径
IF 0.2 Q1 Arts and Humanities Pub Date : 2024-03-12 DOI: 10.1080/17513472.2024.2321562
Nora Blanck, Veselin Jungić
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引用次数: 0
Joining the Math Circus: exploring advanced mathematics through collaborative hands-on activities and performative storytelling 加入数学马戏团:通过合作动手活动和表演故事探索高等数学
IF 0.2 Q1 Arts and Humanities Pub Date : 2024-03-12 DOI: 10.1080/17513472.2024.2321564
Ásgerður Harriss Jóhannesdóttir, Rannveig Björk Thorkelsdóttir, B. Gísladóttir
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引用次数: 0
STEAM practices connecting mathematics, arts, architecture, culture and history in a non-formal learning environment of a museum 在博物馆的非正规学习环境中开展连接数学、艺术、建筑、文化和历史的 STEAM 实践活动
IF 0.2 Q1 Arts and Humanities Pub Date : 2024-03-11 DOI: 10.1080/17513472.2024.2321563
Shereen El Bedewy, Z. Lavicza, I. Lyublinskaya
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引用次数: 0
Students’ cross-sectioning in the math-art studio 学生在数学艺术工作室中的横切面设计
IF 0.2 Q1 Arts and Humanities Pub Date : 2024-02-28 DOI: 10.1080/17513472.2024.2321565
M. Kuş
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引用次数: 0
Art in sacred geometry: a new perspective for multidisciplinary STEAM education 神圣几何中的艺术:多学科 STEAM 教育的新视角
IF 0.2 Q1 Arts and Humanities Pub Date : 2024-01-19 DOI: 10.1080/17513472.2023.2299663
Kishore Dutta
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引用次数: 0
Spectral geometry and Riemannian manifold mesh approximations: some autocorrelation lessons from spatial statistics 光谱几何和黎曼流形网格逼近:来自空间统计的一些自相关教训
Q1 Arts and Humanities Pub Date : 2023-11-01 DOI: 10.1080/17513472.2023.2275489
Daniel A. Griffith
AbstractA spectral geometry utility awareness, with specific reference to isospectralisation and art painting analytics, is permeating the academy today, with special interest in its ability to foster interfaces between a range of analytical quantitative disciplines and art, exhibiting popularity in, for example, computer engineering/image processing and GIScience/spatial statistics, among other subject areas. This paper contributes to the emerging literature about such mathematized interdisciplinarities and synergies. It more specifically extends the matrix algebra based 2-D Graph Moranian operator that dominates spatial statistics/econometrics to the 3-D Riemannian manifold sphere whose analysis the general Graph Laplacian (i.e. Laplace-Beltrami) operator monopolizes today. One conclusion is that harmonizing the use of these two operators offers a way to expand knowledge and comprehension. Another is a continuing demonstration that the understanding and analysis of art sculptures dovetails with mathematics-art studies.KEYWORDS: Geary ratioMoran coefficientRiemannian manifoldspatial autocorrelationspectral geometry AcknowledgementsDaniel A. Griffith is an Ashbel Smith Professor of Geospatial Information Sciences.Disclosure statementNo potential conflict of interest was reported by the author(s).Statements and declarationsThe author did not receive support from any organization for this work. The author further certifies that he has no affiliations with or involvement in any organization or entity with any financial or non-financial interest in the subject matter or materials discussed in this paper. Finally, the datasets generated and/or analyzed during the study summarized in this paper are available from the corresponding author by reasonable request; a number of the source datasets also are retrievable from online depositories cited in this paper.Notes1 The spatial statistics/econometrics literature notation almost universally symbolizes this matrix with C, and its row-standardized Laplacian companion with W.2 The Laplace-Beltrami operator based upon an unbounded equilateral triangle mesh essentially is a scalar multiple of this Laplacian matrix (Xu, Citation2004; Wu et al., Citation2010).3 They disagree about the spatial autocorrelation portrayal of numerous regular square tessellation eigenvectors, based upon either a rook or a queen definition of adjacency, both of which extract exactly the same eigenvectors.4 See https://github.com/alecjacobson/common-3d-test-models, https://github.com/MPI-IS/mesh/blob/master/data/unittest/sphere.obj, https://cims.nyu.edu/gcl/datasets.html, https://www.cs.cornell.edu/courses/cs4620/2015fa/assignments/a1/a1mesh.html, https://people.sc.fsu.edu/~jburkardt/data/obj/obj.html, http://graphics.stanford.edu/data/3Dscanrep/, https://www.cs.cmu.edu/~kmcrane/Projects/ModelRepository/, https://github.com/yig/graphics101-meshes/tree/master/examples, and https://archive.lib.msu.edu/crcmath/math/math/t/t200.htm.5 Many d
9999,其中λGR, λMC, LN分别表示图的拉普拉斯特征值和Moranian特征值,以及自然对数来源:https://commons.wikimedia.org/wiki/File: Buddha_detail _Japan_ -_Taima_Temple_Mandala -_Amida_Welcomes_Ch % C3%BBj % C3%B4hime_to_the_Western_Paradise_ -_Google_Art_Project_(出现). jpg。
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引用次数: 0
Plato’s Timaeus and optimal pentatonic scales 柏拉图的《蒂迈奥》和最佳五声音阶
Q1 Arts and Humanities Pub Date : 2023-10-27 DOI: 10.1080/17513472.2023.2272328
Payam Seraji
AbstractAfter a short review of Pythagorean theory of harmonic ratios and musical scales as it is described in Plato’s Timaeus treatise, the concept of ‘optimality of a sequence of (real) numbers with respect to Pythagorean ratios’ is defined and main theorem of this article proves that there are only three optimal sequences of length 6, which correspond to three well-known pentatonic scales which are used in many musical traditions (including Chinese, Japanese and others). It is also noted that a definition similar to our optimal scales has appeared in a treatise by Sadi-al-Din Urmavi, a thirteenth century Iranian musicologist.KEYWORDS: Optimal scalePythagorean ratiosTimaeusPentatonic scaleSafi-al-Din al-Urmavi Disclosure statementNo potential conflict of interest was reported by the author(s).Notes1 It may be thought that optimal scales can be constructed by simply choosing first notes in the circle of fifths but it is not the case: the first seven notes in the circle of fifths are Do, Sol, Re, La, Mi, Si, Fa# and it can be easily checked that the corresponding scale is not optimal.
摘要简要回顾了柏拉图《提梅乌斯》中毕达哥拉斯和声比与音阶的理论,定义了“毕达哥拉斯数列(实数)相对于毕达哥拉斯数列的最优性”的概念,并证明了只有三个长度为6的最优数列,它们对应于许多音乐传统(包括中国、日本等)中使用的三个著名的五声音阶。值得注意的是,类似于我们的最佳音阶的定义出现在13世纪伊朗音乐学家Sadi-al-Din Urmavi的一篇论文中。关键词:最优尺度;毕达古比例;时间尺度;五声尺度;注1人们可能认为,最优音阶可以通过简单地选择五度圈中的第一个音符来构建,但事实并非如此:五度圈中的前七个音符是Do, Sol, Re, La, Mi, Si, Fa#,很容易检查出相应的音阶不是最优的。
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引用次数: 0
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Journal of Mathematics and the Arts
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