angelica里德尔:文字的自主性和当代悲剧思想

IF 1 Q4 COMPUTER SCIENCE, INFORMATION SYSTEMS IT-Information Technology Pub Date : 2021-05-23 DOI:10.25009/IT.V12I19.2662
Fernanda del Monte Martínez
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引用次数: 0

摘要

本文探讨了西班牙作家安吉莉卡·里德尔(Angelica Liddell)的《无限三部曲》(Trilogia del infinito)一书,探讨了她的诗歌文本如何运用一种将真理、美、恐怖和悲剧等哲学和美学主题交织在一起的表演性写作。本文分析了里德尔的写作建议是如何脱离戏剧规范的,并作为一个独立的文本呈现在舞台上。Angelica Liddell: The Written Word’s Autonomyand Contemporary Tragic Thought Abstract西班牙作家和戏剧导演,Angelica Liddell的最新出版物是Trilogia del Infinite (Trilogy of The Infinite, 2016),她在其中解决了真理、美、恐怖和悲剧思想等哲学和美学问题。这条discusses how Liddell ' s book breaks with护canons and对于as an成行text which may be后面staged in a performative mode。收到日期:2020年8月5日接受日期:2021年1月26日
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Angélica Liddell: autonomía de la palabra y pensamiento trágico contemporáneo
Este articulo aborda el libro Trilogia del infinito, de la creadora espanola Angelica Liddell, para indagar de que forma sus textos poeticos ejercen una escritura performativa que entreteje temas filosoficos y esteticos como son la verdad, la belleza, el horror y lo tragico. Se analiza de que forma la propuesta escritural de Liddell se aparta de los canones dramaticos y se presenta como texto autonomo de la puesta en escena. Angelica Liddell: The Written Word’s Autonomyand Contemporary Tragic Thought Abstract Spanish author and theatre director, Angelica Liddell’s latest publication is Trilogia del infinito (Trilogy of the Infinite, 2016), a performative text in which she addresses philosophical and aesthetic issues such as truth, beauty, horror and tragic thought. This article discusses how Liddell’s book breaks with dramatic canons and exists as an autonomous text which may be later staged in a performative mode. Recibido: 05 de agosto de 2020 Aceptado: 26 de enero de 2021
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来源期刊
IT-Information Technology
IT-Information Technology COMPUTER SCIENCE, INFORMATION SYSTEMS-
CiteScore
3.80
自引率
0.00%
发文量
29
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