{"title":"在asuncion殖民时期(巴拉圭,16 - 17世纪),声音占领了一个不规则的城市和“大地的行吟诗人”","authors":"Laura Fahrenkrog","doi":"10.4067/S0717-71942020000200407","DOIUrl":null,"url":null,"abstract":"The musical practices of Hispanic origin that arose in Spanish-American colonial cities, whether in the institutional sphere or in everyday life, were determined by the initial social conformation and the spatial and infrastructure development of cities. This article aims to present how some of these practices were established in Asuncion, Paraguay, during the sixteenth and seventeenth centuries, taking into account the socio-cultural and physical structure of the city to question the existent tension between models, regulations and their adaptations in complex and distant scenarios such as the one studied. In the framework of Cultural Urban History, and through the analysis of Council records and judicial processes, among others, the musical negotiations that affected the soundscape of the city in public and private festive contexts are addressed.","PeriodicalId":43813,"journal":{"name":"Historia-Santiago","volume":null,"pages":null},"PeriodicalIF":0.3000,"publicationDate":"2020-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"La ocupación sonora de una ciudad irregular y los “trovadores de la tierra” en Asunción colonial (Paraguay, siglos XVI-XVII)\",\"authors\":\"Laura Fahrenkrog\",\"doi\":\"10.4067/S0717-71942020000200407\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The musical practices of Hispanic origin that arose in Spanish-American colonial cities, whether in the institutional sphere or in everyday life, were determined by the initial social conformation and the spatial and infrastructure development of cities. This article aims to present how some of these practices were established in Asuncion, Paraguay, during the sixteenth and seventeenth centuries, taking into account the socio-cultural and physical structure of the city to question the existent tension between models, regulations and their adaptations in complex and distant scenarios such as the one studied. In the framework of Cultural Urban History, and through the analysis of Council records and judicial processes, among others, the musical negotiations that affected the soundscape of the city in public and private festive contexts are addressed.\",\"PeriodicalId\":43813,\"journal\":{\"name\":\"Historia-Santiago\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.3000,\"publicationDate\":\"2020-12-31\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Historia-Santiago\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.4067/S0717-71942020000200407\",\"RegionNum\":4,\"RegionCategory\":\"历史学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q2\",\"JCRName\":\"HISTORY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Historia-Santiago","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.4067/S0717-71942020000200407","RegionNum":4,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"HISTORY","Score":null,"Total":0}
La ocupación sonora de una ciudad irregular y los “trovadores de la tierra” en Asunción colonial (Paraguay, siglos XVI-XVII)
The musical practices of Hispanic origin that arose in Spanish-American colonial cities, whether in the institutional sphere or in everyday life, were determined by the initial social conformation and the spatial and infrastructure development of cities. This article aims to present how some of these practices were established in Asuncion, Paraguay, during the sixteenth and seventeenth centuries, taking into account the socio-cultural and physical structure of the city to question the existent tension between models, regulations and their adaptations in complex and distant scenarios such as the one studied. In the framework of Cultural Urban History, and through the analysis of Council records and judicial processes, among others, the musical negotiations that affected the soundscape of the city in public and private festive contexts are addressed.