抒情诗歌研究的新理论途径

IF 0.1 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Signa-Revista de la Asociacion Espanola de Semiotica Pub Date : 2020-04-08 DOI:10.5944/signa.vol29.2020.23400
I. G. Gil
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引用次数: 1

摘要

摘要:本文考察了最近两种截然相反的抒情体裁研究模式:摹仿叙事学和表演学,这是国际文学批评对抒情体裁研究的两种重要贡献。然而,他们在西班牙文学理论中几乎没有任何反响。首先,我们关注叙事学在诗歌和抒情文本研究中的应用。其次,我们讨论乔纳森·卡勒在他的《抒情诗理论》一书中提出的理论建议,他在书中拒绝将抒情诗同化为叙事小说的模式,相反,他建议研究其独特性,而不是模仿性,而是表现性。
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NUEVOS ENFOQUES TEÓRICOS PARA EL ESTUDIO DE LA POESÍA LÍRICA
Abstract: This paper examines two recent and opposite models for the study of the lyric genre: mimetic-narratological and performative, two important contributions of international literary criticism to the field. Nevertheless, they have had scarcely any repercussions in Spanish literary theory. First, we focus on the narratological applications to the study of poetic and lyric texts. Second, we address Jonathan Culler’s theoretical proposal developed in his book Theory of the Lyric, in which he rejects the assimilation of lyric poetry to the model of narrative fiction, and he proposes instead to investigate its singularity, not imitative but performative.
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来源期刊
CiteScore
0.40
自引率
0.00%
发文量
258
期刊最新文献
Reseña de: Rosa María Belda. El sujeto en la poesía de Miguel Femández. Madrid: UNED, 2000 Reseña de: José Romera Castillo y Francisco Gutiérrez Carbajo (eds.): El cuento en la década de los noventa. Madrid: Visor Libros/UNED, 2001 Reseña de: Víctor Cantero García. Las aportaciones de los dramas de «costumbres burguesas» de Luis de Eguilaz al conocimiento de la burguesía española de la segunda mitad del XIX. Cádiz: Servicio de Publicaciones de la Universidad de Cádiz, 2000 Reseña de: Jerónimo López Mozo. Combate de ciegos. Yo, maldita india... (Dos obras de teatro). Madrid: UNED, 2000 Reseña de: José Teruel Benavente: Otro marco teórico para el medio siglo: la poesía de Miguel Fernández. Madrid: UNED, 2000
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