诗歌,巴勒斯坦和后人文主义

IF 1.2 3区 社会学 Q2 CULTURAL STUDIES Postcolonial Studies Pub Date : 2021-11-09 DOI:10.1080/13688790.2021.1979742
H. Cohen
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引用次数: 1

摘要

巴勒斯坦诗人Nathalie Handal和Naomi Shihab Nye运用非人类的视角来哀悼失去的家园,反思Nakba(“灾难”,1948年巴勒斯坦人的出走)作为环境和社会破裂的场所。对环境破裂的表现作为对Nakba反思的手段,对巴勒斯坦文学传统来说并不新鲜。然而,通过后人文主义的呼吁来理解这些断裂,是一种激进的姿态,我们可以将其定位于合并的麻烦尝试的中心,或者至少是“收敛”,用罗伯特·斯宾塞的话说,“生态批评和后殖民研究的各自关注”。通过仔细阅读Nathalie Handal和Naomi Shihab Nye的多物种生态学,本文调和了后殖民巴勒斯坦和后人文主义巴勒斯坦,尊重诗人对非人类动物和栖息地的展望,并研究他们对物种间亲缘关系的实验。
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Poetry, Palestine and posthumanism
ABSTRACT Palestinian poets Nathalie Handal and Naomi Shihab Nye deploy nonhuman perspectives to mourn the lost homeland, reflecting on the Nakba (‘the Catastrophe’, the 1948 Palestinian exodus) as a site of environmental and social rupture. Representations of environmental ruptures as means of reflecting on the Nakba are not new to the Palestinian literary tradition. Understanding these ruptures by way of posthumanist appeals is, however, a radical gesture that we can locate at the centre of troubled attempts to merge, or at a minimum ‘converge’, the ‘respective preoccupations of ecocriticism and postcolonial studies’, to use Robert Spencer’s enunciation. Through close readings of the multispecies ecologies deployed by Nathalie Handal and Naomi Shihab Nye, this paper reconciles postcolonial Palestine with posthumanist Palestine, honouring the poets’ compositions of vistas of nonhuman animals and habitats, and studying their experimentation with interspecies kinship.
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来源期刊
CiteScore
2.00
自引率
7.70%
发文量
30
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