{"title":"感觉“漂亮胖和生气”:一篇关于肥胖,情感,艺术和档案的照片文章","authors":"Allison Taylor, Allyson Mitchell","doi":"10.1080/21604851.2022.2037309","DOIUrl":null,"url":null,"abstract":"ABSTRACT This photo essay is about the process of creating a digital archive dedicated to Pretty Porky and Pissed Off, a Toronto-based fat activist and performance art collective active in the late 1990s and early 2000s. As a leading member of the collective and the project’s principal investigator (Allyson Mitchell) and the project’s researcher archivist (Allison Taylor) we explore the affective potential of the visual archival fat representations produced through Pretty Porky and Pissed Off’s artistic practice. We first provide an overview of the Pretty Porky and Pissed Off archive project. Second, we contextualize our photo essay within queer and fat studies scholarship on affect, archives, and the visual. Third, we present a set of stills from archival video footage of a Pretty Porky and Pissed Off clothing swap in Allyson Mitchell’s art studio. Using these stills, we consider the affectively rich nature of visual archival representations of fatness. We suggest that feelings are a central component of visual archival fat representations; feelings offer important insights about the potential of visual artistic and archival practices to represent, embody, and imagine fatness otherwise.","PeriodicalId":37967,"journal":{"name":"Fat Studies-An Interdisciplinary Journal of Body Weight and Society","volume":"1 1","pages":"513 - 526"},"PeriodicalIF":0.8000,"publicationDate":"2022-02-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Feeling ‘Pretty Porky & Pissed Off’: a photo essay on fatness, affect, art, and archives\",\"authors\":\"Allison Taylor, Allyson Mitchell\",\"doi\":\"10.1080/21604851.2022.2037309\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ABSTRACT This photo essay is about the process of creating a digital archive dedicated to Pretty Porky and Pissed Off, a Toronto-based fat activist and performance art collective active in the late 1990s and early 2000s. As a leading member of the collective and the project’s principal investigator (Allyson Mitchell) and the project’s researcher archivist (Allison Taylor) we explore the affective potential of the visual archival fat representations produced through Pretty Porky and Pissed Off’s artistic practice. We first provide an overview of the Pretty Porky and Pissed Off archive project. Second, we contextualize our photo essay within queer and fat studies scholarship on affect, archives, and the visual. Third, we present a set of stills from archival video footage of a Pretty Porky and Pissed Off clothing swap in Allyson Mitchell’s art studio. Using these stills, we consider the affectively rich nature of visual archival representations of fatness. We suggest that feelings are a central component of visual archival fat representations; feelings offer important insights about the potential of visual artistic and archival practices to represent, embody, and imagine fatness otherwise.\",\"PeriodicalId\":37967,\"journal\":{\"name\":\"Fat Studies-An Interdisciplinary Journal of Body Weight and Society\",\"volume\":\"1 1\",\"pages\":\"513 - 526\"},\"PeriodicalIF\":0.8000,\"publicationDate\":\"2022-02-13\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Fat Studies-An Interdisciplinary Journal of Body Weight and Society\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/21604851.2022.2037309\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q3\",\"JCRName\":\"SOCIAL SCIENCES, INTERDISCIPLINARY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Fat Studies-An Interdisciplinary Journal of Body Weight and Society","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/21604851.2022.2037309","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"SOCIAL SCIENCES, INTERDISCIPLINARY","Score":null,"Total":0}
引用次数: 0
摘要
这篇摄影文章是关于为活跃于20世纪90年代末和21世纪初的多伦多肥胖活动家和行为艺术团体Pretty Porky and Pissed Off创建数字档案的过程。作为集体的领导成员和项目的首席研究员(Allyson Mitchell)和项目的研究档案管理员(Allison Taylor),我们探索了通过Pretty Porky和Pissed Off的艺术实践产生的视觉档案脂肪表现的情感潜力。我们首先提供了一个概览的漂亮肥猪和愤怒的档案项目。其次,我们将我们的照片文章置于酷儿和肥胖研究的背景下,研究情感、档案和视觉。第三,我们展示了一组来自档案视频片段的剧照,这是在艾莉森·米切尔的艺术工作室里,一个漂亮的胖子和愤怒的衣服交换。使用这些剧照,我们考虑肥胖的视觉档案表现的情感丰富的性质。我们认为感觉是视觉档案脂肪表征的核心组成部分;感受提供了关于视觉艺术和档案实践的潜力的重要见解,以代表,体现和想象肥胖。
Feeling ‘Pretty Porky & Pissed Off’: a photo essay on fatness, affect, art, and archives
ABSTRACT This photo essay is about the process of creating a digital archive dedicated to Pretty Porky and Pissed Off, a Toronto-based fat activist and performance art collective active in the late 1990s and early 2000s. As a leading member of the collective and the project’s principal investigator (Allyson Mitchell) and the project’s researcher archivist (Allison Taylor) we explore the affective potential of the visual archival fat representations produced through Pretty Porky and Pissed Off’s artistic practice. We first provide an overview of the Pretty Porky and Pissed Off archive project. Second, we contextualize our photo essay within queer and fat studies scholarship on affect, archives, and the visual. Third, we present a set of stills from archival video footage of a Pretty Porky and Pissed Off clothing swap in Allyson Mitchell’s art studio. Using these stills, we consider the affectively rich nature of visual archival representations of fatness. We suggest that feelings are a central component of visual archival fat representations; feelings offer important insights about the potential of visual artistic and archival practices to represent, embody, and imagine fatness otherwise.