重新想象亚洲的、自由的语境教会模式,以您的choan - sun和AHN byungs的神学灵感

Harris Kristanto
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摘要

与此同时,随着亚洲教会之间的团结意识通过亚洲主教会议联合会(FABC)不断增强,了解亚洲教会的意义的努力变得更加深刻。我们可以提到一些试图重建亚洲教会独特面貌的神学方法,例如宋choan - seng Song,他用一种换位模式发展了上下文神学。宋从他对基督教神学的西方中心主义倾向的批判立场出发,提出了重新定位语境神学探索的四个重要要素,即视野、共同体、激情和“想象-民族”。除了他之外,我们也应该回顾一下韩国神学家,特别是安秉武在提出民正神学方面所做的努力。对安哲秀来说,语境神学也应该是解放的。上述两种情境解放教会的神学理念,促使我们不断地想像和努力建立一个亚洲教会,尤其是在印尼。
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RE-IMAGINING MODEL GEREJA KONTEKSTUAL YANG LIBERATIF DI ASIA DENGAN INSPIRASI TEOLOGIS DARI CHOAN-SENG SONG DAN AHN BYUNG-MU
At the same time as the sense of solidarity among Asian Churches is growing through Federation of Asian Bishop Conference (FABC), the effort to understand what it means to be a Church in Asia becomes more profound. We can mention several theological approaches which trying to reconstruct a distinctive face of the Asian Church, for example Choan-Seng Song who develops contextual theology with a transpositional mode. Starting from his critical position against the tendency of Western-centered nature of Christian theology, Song raised four important elements in a reorientation towards contextual theological exploration, namely vision, community, passion, and "imagi-nation". Besides him, it is also appropriate for us to review the efforts of South Korean theologians, especially Ahn Byung-Mu, in proposing Minjung Theology. For Ahn, a contextual theology should also be liberative. The two theological ideas of contextual-liberative Church above are prompting us to continuously imagine and strive for an Asian ecclesiology, especially in Indonesia.
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审稿时长
16 weeks
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PERAN PUSAT PENGEMBANGAN ANAK IO-497 BENYAMIN OEBUFU DALAM PEMULIHAN SPIRITUALITAS PASCA SIKLON SEROJA DITINJAU DARI PERSPEKTIF ETIKA SOLIDARITAS PERIKANAN DANAU GALILEA ABAD PERTAMA UNTUK MEMAHAMI KAPERNAUM SEBAGAI KOTA YESUS (MATIUS 9:1) MEMBEDAH KONTEKSTUALISASI DOKUMEN PERSONA HUMANA 1975 DALAM TERANG MODEL TERJEMAHAN STEPHEN BEVANS INTFAITH MARRIAGE IN INDONESIA: LOOKING FOR A LOOPHOLE PENDEKATAN INTERKULTURAL SEBAGAI MODEL MISIONAL: SEBUAH UPAYA UNTUK MEREKONSTRUKSI KEMBALI MISI DI ABAD XXI
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