反帝文化与政治中的边缘与亲密

Q2 Arts and Humanities French Politics, Culture & Society Pub Date : 2020-06-01 DOI:10.3167/fpcs.2020.380206
Burleigh Hendrickson
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引用次数: 0

摘要

在19世纪和20世纪的法国帝国主义后期,法国思想家、艺术家和殖民者长期以来一直对居住在法国殖民地的“他者”着迷。亲密接触和跨文化接触导致了对这些群体的描述,往往是暴力的区分,这有助于定义法国人的身份。但是,我们可以从“后殖民实践”中学习到什么,这种实践寻求从反帝国主义行动者那里询问身份的新方法?本文从三位重要的反帝国主义者——弗朗茨·法农、奥斯曼·塞姆顿内和西蒙娜·莱卢什·奥斯马尼——的观点出发,揭示了他们对法国和法国身份的看法。对于这些人物来说,法国既可以代表未实现的应许之地,也可以代表流亡之地。同样地,法国人的特性也从一套渴望但无法实现的品质、一种不惜一切代价抵制的不道德文化,到一种用于政治战略的国家认同,无所不包。这种激进的方法将法国性变成了一种“他者”,同时促进了新的后殖民身份的出现。同时,它还展示了法国和法国性的三个重要定义是如何依赖于边缘地位和对法国文化的亲密接触的。
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Periphery and Intimacy in Anti-Imperial Culture and Politics
In the late period of nineteenth- and twentieth-century French imperialism, French thinkers, artists, and colonists had long held a fascination with the “others” inhabiting France’s colonies. Intimate contact and cross-cultural encounters led to descriptions and often violent differentiations of these groups that helped define French identity. But what might we learn by employing a “postcolonial praxis” that seeks new ways of interrogating identity from anti-imperial actors? Taking the perspectives of three key anti-imperialists—Frantz Fanon, Ousmane Sembène, and Simone Lellouche Othmani—this article unearths their perceptions about France and French identity. For these figures, France could represent either an unfulfilled promised land or a place of exile. Frenchness, likewise, ran the spectrum from a set of desired if unattainable qualities, an immoral culture to be resisted at all costs, to a national identity to be deployed for political strategy. This radical approach turns Frenchness into an “other” while contributing to the emergence of new postcolonial identities. At the same time, it demonstrates how three important definitions of France and of Frenchness depended upon both peripheral positionality and intimate access to French culture.
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来源期刊
French Politics, Culture & Society
French Politics, Culture & Society Arts and Humanities-History
CiteScore
0.50
自引率
0.00%
发文量
6
期刊介绍: French Politics, Culture & Society explores modern and contemporary France from the perspectives of the social sciences, history, and cultural analysis. It also examines France''s relationship to the larger world, especially Europe, the United States, and the former French Empire. The editors also welcome pieces on recent debates and events, as well as articles that explore the connections between French society and cultural expression of all sorts (such as art, film, literature, and popular culture). Issues devoted to a single theme appear from time to time. With refereed research articles, timely essays, and reviews of books in many disciplines, French Politics, Culture & Society provides a forum for learned opinion and the latest scholarship on France.
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