{"title":"绿笔","authors":"R. Menon","doi":"10.3233/RED-120107","DOIUrl":null,"url":null,"abstract":"journalism in India. This increases the significance of The Green Pen, edited by Keya Acharya and Frederick Noronha from Sage. It has a wide array of interesting essays penned by active environmental journalists from India and South Asia, which gives a broad and deep perspective into the different burning issues plaguing the region. It also gives us an understanding of the varied kinds of difficulties and ironies that environmental journalists face on a daily basis. Reputed journalist and former editor Darryl D’Monte, in his foreword, talks of how things were in the seventies and eighties, and how things have changed. Though India has surmounted numerous environmental problems, media has still got to give it the importance it deserves. The environmental beat is not seen as glamorous and most newspapers and magazines do not have a single specialist journalist in this area. The end result is half-baked, poor, and sketchy reporting on environmental issues that has little or no research worth the name, while analysis and interpretation is a far cry. Ultimately, most of the time, environmental journalism ends up with statements of some activists, and quotes from the powers that be refuting the charges. Journalists Keya Acharya and Frederick Noronha have managed to get a battery of reputed writers like Pallava Bagla, Kunda Dixit, Richard Mahapatra, Max Martin, Meena Menon, Sunita Narain, Nandan Saxena, Devinder Sharma, and Kalpana Sharma to write on crucial issues that force us to think. For example, Devinder Sharma argues how the media is no more the fourth estate. He talks of the inequalities that no more outrage the elite, such as how a bunch of rich and bold people defaulted on paying back Rs 160,000 crore to the nationalized banks and got away. 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引用次数: 3

摘要

印度新闻业。这增加了《绿笔》的重要性,这本书由Sage出版社的Keya Acharya和Frederick Noronha编辑。它收录了来自印度和南亚活跃的环境记者撰写的一系列有趣的文章,对困扰该地区的各种紧迫问题提供了广泛而深入的视角。它也让我们了解到环境记者每天面临的各种困难和讽刺。著名记者和前编辑Darryl D 'Monte在他的前言中谈到了七八十年代的情况,以及情况是如何变化的。尽管印度已经克服了许多环境问题,媒体仍然应该给予它应有的重视。环境方面的报道并不引人注目,大多数报纸和杂志在这个领域都没有专门的记者。最终的结果是对环境问题的半生不熟、拙劣和粗略的报道,几乎没有名副其实的研究,而分析和解释则相去甚远。最终,大多数时候,环境新闻以一些活动家的声明和反驳指控的权力的引用而告终。记者Keya Acharya和Frederick Noronha设法找到了一批著名作家,如Pallava Bagla, Kunda Dixit, Richard Mahapatra, Max Martin, Meena Menon, Sunita Narain, Nandan Saxena, Devinder Sharma和Kalpana Sharma,他们写了一些迫使我们思考的关键问题。例如,Devinder Sharma认为媒体不再是第四阶层。他谈到了不再激怒精英阶层的不平等,比如一群富有而大胆的人如何拖欠向国有化银行偿还16万亿卢比的债务并逃脱了。另一方面,一名精神错乱的乞丐在德里被捕并入狱,因为他拿起一瓶调色牛奶却没有付钱。一周后,他在监狱中去世。印度的饥饿和营养不良人口数量将超过欧盟的人口总和。Shree Padre是一名活动家、农民和记者,他以自称为“水记者”而自豪,他详细介绍了水危机以及可以采取哪些措施来缓解这一危机。他强调,水资源行动主义对我们所有人来说都是必须的,因为没有它,我们任何人都无法生存。Padre详细介绍了卡纳塔克邦、喀拉拉邦和拉贾斯坦邦的有趣媒体活动,通过一系列积极的故事让公众意识到水问题。它引起了不久后投身节水事业的读者的想象。苏尼塔·纳拉因谈到洪水是如何发生的,以及我们如何管理它们。她把今天的洪水称为土地和水资源管理不善与科学和数据管理不善的双重悲剧,以及这种管理不善是如何犯罪的。Keya Acharya谈到媒体公司的看门人对环境问题知之甚少,他必须努力让他们了解问题的严重性并发表。可悲的是,即使是现在,情况也没有太大的不同。如果有争议,就会成为新闻,电视频道想要的是一场斗争,以及由此引发的争论。我记得《今日头条》(Headlines Today)的一位制片人曾打电话给我,问我如何确保就气候变化展开一场激烈的辩论。他还想知道那些观点不同、彼此憎恨的人的名字,这样他们就会“打架”。书评《绿笔》
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The Green Pen
journalism in India. This increases the significance of The Green Pen, edited by Keya Acharya and Frederick Noronha from Sage. It has a wide array of interesting essays penned by active environmental journalists from India and South Asia, which gives a broad and deep perspective into the different burning issues plaguing the region. It also gives us an understanding of the varied kinds of difficulties and ironies that environmental journalists face on a daily basis. Reputed journalist and former editor Darryl D’Monte, in his foreword, talks of how things were in the seventies and eighties, and how things have changed. Though India has surmounted numerous environmental problems, media has still got to give it the importance it deserves. The environmental beat is not seen as glamorous and most newspapers and magazines do not have a single specialist journalist in this area. The end result is half-baked, poor, and sketchy reporting on environmental issues that has little or no research worth the name, while analysis and interpretation is a far cry. Ultimately, most of the time, environmental journalism ends up with statements of some activists, and quotes from the powers that be refuting the charges. Journalists Keya Acharya and Frederick Noronha have managed to get a battery of reputed writers like Pallava Bagla, Kunda Dixit, Richard Mahapatra, Max Martin, Meena Menon, Sunita Narain, Nandan Saxena, Devinder Sharma, and Kalpana Sharma to write on crucial issues that force us to think. For example, Devinder Sharma argues how the media is no more the fourth estate. He talks of the inequalities that no more outrage the elite, such as how a bunch of rich and bold people defaulted on paying back Rs 160,000 crore to the nationalized banks and got away. On other hand, a mentally deranged beggar was arrested and jailed in Delhi as he picked up a bottle of toned milk and did not pay for it. He died a week later in jail. India’s hungry and malnourished population count would be more than the combined population of the European Union. Shree Padre, an activist, farmer and journalist rolled into one, who prides in calling himself a ‘water journalist’, details the water crisis and what could be done to mitigate it. He underlines how water activism is a must for all of us as none of us would be able to survive without it. Padre details interesting media campaigns in Karnataka, Kerala, and Rajasthan where the public was made aware of water issues with a series of positive stories. It caught the imagination of the readers who moved into water conservation soon after. Sunita Narain talks of how floods happen and how we can manage them. She calls today’s floods a double tragedy of mismanagement of land and water combined with science and data mismanagement, and how this mismanagement is criminal. Keya Acharya talks about how little the gatekeepers in media houses know about environmental issues and how he had to fight his way through to make them understand the seriousness of the issue and get published. Sadly, it is not very different even now. It makes news if it is controversial and what TV channels would want is a fight and the argument that the issue would raise. I remember how a ‘Headlines Today’ producer once called me asking how to ensure a fiery debate over climate change. He also wanted names of people who differed in their views and hated each other so that they would ‘fight’. Book review The Green Pen
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